String instruments with sympathetic strings

thumb|Video of a hurdy-gurdy being played

The sarangi is a bowed, short-necked three-stringed instrument played in traditional music from South Asia. It is said to resemble the sound of the human voice through its ability to imitate vocal ornaments such as Gamaks or Gamakam (shakes) and meends (sliding movements). The Nepali sarangi is similar, but is a four-stringed, simpler folk instrument.

thumb|A 19th century sarod, at the Metropolitan Museum of Art. The sarod is a stringed instrument, used in Hindustani music on the Indian subcontinent. Along with the sitar, it is among the most popular and prominent instruments. It is known for a deep, weighty, introspective sound, in contrast with the sweet, overtone-rich timbre of the sitar, with sympathetic strings that give it a resonant, reverberant quality. A fretless instrument, it can produce the continuous slides between notes known as meend (glissandi), which are important in Indian music.

musical instrument

Nyckelharpa (, roughly "keyed fiddle" in Swedish, , plural: ) is a "keyed" bowed chordophone, primarily originating from Sweden in its modern form, but with its historical roots scattered across medieval Europe. It is similar in appearance to a fiddle or violin but larger (in its earlier forms essentially a modified vielle), which employs key-actuated tangents along the neck to change the pitch during play, much like a hurdy-gurdy. The keys slide under the strings, with the tangents set perpendicularly to the keys, reaching above the strings. Upon key-actuation, the tangent is pressed to meet

lute-like musical instrument

thumb|A street musician in Toulouse, France, playing a gadulka. The gadulka () is a traditional Bulgarian bowed string instrument. Alternate spellings are "gǎdulka", "gudulka" and "g'dulka". Its name comes from a root meaning "to make noise, hum or buzz". The gadulka is an integral part of Bulgarian traditional instrumental ensembles, commonly played in the context of dance music.

thumb|A copy of Prince Esterhazy's baryton, on display at his palace in Eisenstadt. The baryton is a bowed string instrument similar to the viol, but distinguished by an extra set of sympathetic but also pluckable strings. It was in regular use in Europe until the end of the 18th century.

traditional Norwegian stringed instrument

The ' or esraaj (from the Shahmukhi: اسراج Bengali: এস্রাজ) is a stringed instrument found in two forms throughout South Asia. It is a relatively recent instrument, being only about 300 years old. It is found in Pakistan and North India, primarily Punjab, where it is used in Sikh music, Bangladesh and West Bengal, India where it is used in Rabindra Sangeet and Classical Music. The is a modern variant of the ', differing slightly in structure.

See Rotte for the psaltery, or Rotte for the plucked lyre.

The gudok (, ), or gudochek (, ), is a Russian folk string instrument, played with a bow.

The gottuvadyam is a 20 or 21-string fretless lute-style veena in Carnatic music from around the late 19th and early 20th centuries, named by Sakha Rama Rao from Tiruvidaimarudur, who was responsible for bringing it back to the concert scene.

plucked string instrument used in Indian classical music