Ahmad Jamal
Sign in to saveAmerican jazz pianist (1930-2023)
OverviewAI-generated
Ahmad Jamal was an American male jazz pianist who began his professional work in 1948. He was associated with the cool jazz, hard bop, and post-bop genres. His musical output included five works, such as the *Ahmad Jamal Collection* and *Ahmad Jamal Collection (Artist Transcriptions)*. Other listed titles include *The Routledge Companion to Ethnic Marketing*, *Rhythmic Thought*, and *Islamic Tourism*.
Jamal was born on July 2, 1930, and died on April 16, 2023. He maintained an official website at ahmadjamal.com. His music has been categorized under tags including jazz, piano, and Hard Bop.
Synthesized by Vinony from 20 facts across 6 sources: Wikidata, Last.fm, Crossref, MusicBrainz, Open Library, Vinony graph. Generated from structured data (not the Wikipedia text) and checked against those facts — may still contain errors.
Person · Open Library
- Works
- 5
Top works
- Ahmad Jamal Collection
- The Routledge Companion to Ethnic Marketing
- Rhythmic Thought
- Islamic Tourism
- Ahmad Jamal Collection (Artist Transcriptions)
via Open Library + Wikidata
Music · MusicBrainz
- Type
- Person
- Gender
- Male
- Origin
- United States
- Active from
- 1930-07-02
- Active to
- 2023-04-16
Discography
- Chamber Music of the New Jazz1955
- Ahmad Jamal1959
- Jamal at the Penthouse1959
- The Piano Scene of Ahmad Jamal1959
- Happy Moods1960
- All of You1962
- Macanudo1962
- Naked City Theme1964
- Extensions1965
- Rhapsody1965
via MusicBrainz · CC0
Listeners · Last.fm
- Listeners
- 430,188
- Total plays
- 5,174,606
Tags
Ahmad Jamal (born Frederick Russell Jones in Pittsburgh, Pennsylvania, on 2 July 1930; died 16 April 2023) was an American jazz pianist, composer, bandleader, and educator. For six decades, he was one of the most successful small-group leaders in jazz.[2] He was a National Endowment for the Arts (NEA) Jazz Master and won a Lifetime Achievement Grammy for his contributions to music history. While he invariably recorded as part of a trio or quintet, some releases were as Ahmad Jamal Trio and Ahmad
Recent publications · Crossref
5 total works indexed
- Reproducible, interactive, scalable and extensible microbiome data science using QIIME 2
· 2019 · cited 20,908x
- Global burden of 369 diseases and injuries in 204 countries and territories, 1990–2019: a systematic analysis for the Global Burden of Disease Study 2019
· 2020 · cited 15,988x
- Global, regional, and national incidence, prevalence, and years lived with disability for 354 diseases and injuries for 195 countries and territories, 1990–2017: a systematic analysis for the Global Burden of Disease Study 2017
· 2018 · cited 10,999x
- Global Burden of Cardiovascular Diseases and Risk Factors, 1990–2019
· 2020 · cited 10,253x
- The mutational constraint spectrum quantified from variation in 141,456 humans
· 2020 · cited 9,186x
via Crossref · CC0
Quotes
- “When my people were brought over here from Asia and Africa, they were given various names, such as Jones and Smith. I haven't adopted a name. It's a part of my ancestral background and heritage: I have re-established my original name. I have gone back to my own vine and fig tree.”
- “[In response to a comment ("I sometime-get the feeling that Jamal would rather crawl into the piano than off the bench at the conclusion of a performance, so deeply involved is he in his music") by critic Philip Elwood] Maybe so. But I regret that I still don't have enough time to spend with my instrument. I think I could become more at one with it if I did.”
- “It was 25 cents here, $6 there. At $6, one gets to thinking it's a lot of money. So then economics started dictating the direction of my career, and that's when I started devoting more time to jazz. When I got up to $60 a week, which was as much as my father was making, I said, well, this is it. And I was doing that before I left high school.”
- “Miles, Thad Jones, Clark Terry, Gil Evans, myself—the reason we always stay young is because we've been part of three eras. We heard Lunceford, Hines, Basie at their peak--I was a sponge, I absorbed that era. Then it was the Gillespie-Parker era—we were still young, and again we sponged it up. Now we are living in the electronic age . . . and we're still listening.”
- “A guy that knows all these electronic things may be great [...] but a guy who knows acoustic and electronic is better. Just like a guy who knows Mozart only may be great, but a guy who knows Mozart and Duke Ellington is better. And a guy who knows Mozart and Brahms and Ellington is even better . . . It's musical depth perception.”
- “If you're applying for credit and write that you’re an insurance salesman, or a member of the Chicago Symphony, you won't have trouble. But just write "jazz musician" and you can't even buy a sofa on credit.”
via Wikiquote · CC BY-SA
Key facts
- Born
- Frederick Russell Jones , ( 1930-07-02 ) July 2, 1930, Pittsburgh , Pennsylvania, U.S.
- Died
- April 16, 2023 (2023-04-16) (aged 92), Ashley Falls, Massachusetts , U.S.
- Genres
- Jazz hard bop modal jazz cool jazz post-bop
- Occupation
- Musician
- Instrument
- Piano
- Years active
- 1948–2020
- Labels
- OKeh Parrot Epic Argo Atlantic Dreyfus Impulse! Telarc Jazzbook/ACM
- Website
- www .ahmadjamal .com
via Wikipedia infobox
~18 min read
Encyclopedic overview
Ahmad Jamal (born Frederick Russell Jones; July 2, 1930 – April 16, 2023) was an American jazz pianist, composer, bandleader, and educator. For six decades, he was one of the most successful small-group leaders in jazz. He was a National Endowment for the Arts (NEA) Jazz Master and won a Lifetime Achievement Grammy for his contributions to music history.
Biography
Excerpted from Wikipedia’s “Ahmad Jamal” article, available under the CC BY-SA 4.0 licence.