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Albert Coates

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British conductor (1882-1953)

Person · Open Library

Born
1896
Works
24

Top works

  • What the University of North Carolina meant to me
  • Popular government
  • A summary report on the historical development of the justice of the peace court, the intermediate courts, and the superior court of North Carolina, 1868-1957
  • Crime and punishment
  • Law school association

via Open Library + Wikidata

Music · MusicBrainz

Type
Person
Gender
Male
Origin
United Kingdom
Active from
1882-04-23
Active to
1953-12-11

via MusicBrainz · CC0

Listeners · Last.fm

Listeners
73
Total plays
399

Tags

a coates

Albert Coates (23 April 1882 –11 December 1953) was an Anglo-Russian conductor and composer. Coates was born in Saint Petersburg, Russian Empire, the youngest of seven sons of an English father and a Russian mother. He learned the violin, cello and piano as a child. From 12, he was raised in England, and studied science at Liverpool University. Then he returned to Russia and studied compostion with Nikolai Rimsky-Korsakov. He studied at the conservatory in Leipzig, where his greatest teacher wa

via Last.fm · Albert Coates

Wikidata facts

Instance of
human
Given name
Albert
Family name
Coates
Official name
Albert Coates
Gender
male
Place of birth
Saint Petersburg
Place of death
Cape Town
Occupation
composer
Languages spoken
English language
Student of
Arthur Nikisch
Genre
opera
Record label
His Master's Voice
Image
Albert Coates LCCN2014711840.jpg
Work location
England
Show 4 more facts
date of birth
1882-01-01
date of death
1953-01-01
Commons category
Albert Coates (musician)
Sources (2)

via Wikidata · CC0

Works in European collections

36 objects attributed to Albert Coates, held across European museums, libraries & archives · via Europeana

Siegfried decides to learn to fear: 1st act “Siegfried”/(Richard Wagner)

Siegfried decides to learn to fear: 1st act “Siegfried”/(Richard Wagner)

Tannhäuser: Venusberg music and Bacchanale; part 3; (act 1)/(Wagner)

Tannhäuser: Venusberg music and Bacchanale; part 3; (act 1)/(Wagner)

“Margarethe”: Kirchenscene; (Seigneur, daignes permettre) I. Teil; (Quand di Seigneur le jor luira) II. Teil/(Gounod)

“Margarethe”: Kirchenscene; (Seigneur, daignes permettre) I. Teil; (Quand di Seigneur le jor luira) II. Teil/(Gounod)

Der Wanderer versucht, Siegfrieds Weg zu versperren : 3. Akt "Siegfried" / (R. Wagner)

Der Wanderer versucht, Siegfrieds Weg zu versperren : 3. Akt "Siegfried" / (R. Wagner)

Should I listen? : Love duet, Part 4 - Act II (“Tristan und Isolde”)/(Wagner)

Should I listen? : Love duet, Part 4 - Act II (“Tristan und Isolde”)/(Wagner)

Brunhilde erscheint Siegmund : (Todesverkündigung). "Die Walküre", II. Akt / Richard Wagner

Brunhilde erscheint Siegmund : (Todesverkündigung). "Die Walküre", II. Akt / Richard Wagner

Siegfried forges the sword: I. part; 1st act “Siegfried”/(Richard Wagner)

Siegfried forges the sword: I. part; 1st act “Siegfried”/(Richard Wagner)

Foreplay - Siegmund is looking for accommodation in Hspiel Hütte. “The Valkyrie,” Act I

Foreplay - Siegmund is looking for accommodation in Hspiel Hütte. “The Valkyrie,” Act I

Siegfried forges the sword: II part; 1st act “Siegfried”/(Richard Wagner)

Siegfried forges the sword: II part; 1st act “Siegfried”/(Richard Wagner)

The forest bird leads Siegfried to Brünhildes rock: 2nd act “Siegfried”/(R. Wagner)

The forest bird leads Siegfried to Brünhildes rock: 2nd act “Siegfried”/(R. Wagner)

It’s enough: “Elias”/Mendelssohn

It’s enough: “Elias”/Mendelssohn

Grüss Gott, mein Junker : III. Teil; ("Die Meistersinger von Nürnberg", III. Akt, 2. Szene) / (R. Wagner)

Grüss Gott, mein Junker : III. Teil; ("Die Meistersinger von Nürnberg", III. Akt, 2. Szene) / (R. Wagner)

"Götterdämmerung" : Szene der Waltraute und Brünhilde (2. Teil): Seine Raben beide sandt' er auf Reise; [Waltrautes Erzählung, 1. Akt] / Richard Wagner

"Götterdämmerung" : Szene der Waltraute und Brünhilde (2. Teil): Seine Raben beide sandt' er auf Reise; [Waltrautes Erzählung, 1. Akt] / Richard Wagner

Is not the Lord word like fire: “Elias”/Mendelssohn

Is not the Lord word like fire: “Elias”/Mendelssohn

Sink down, Night of Love: Love duet, 3rd part - Second act (“Tristan and Isolde”)/(Wagner)

Sink down, Night of Love: Love duet, 3rd part - Second act (“Tristan and Isolde”)/(Wagner)

Hohe Messe in h-moll : "Agnus Dei qui tollis" / (Joh. Seb. Bach)

Hohe Messe in h-moll : "Agnus Dei qui tollis" / (Joh. Seb. Bach)

Brunhilde promises to help Siegmund: “Die WalBrune,” Act II/Richard Wagner

Brunhilde promises to help Siegmund: “Die WalBrune,” Act II/Richard Wagner

Then I saw him: narrative, II part; III act (“Tannhäuser”)/(Richard Wagner)

Then I saw him: narrative, II part; III act (“Tannhäuser”)/(Richard Wagner)

Hohe Messe in h-moll : "Dona nobis pacem" / (Joh. Seb. Bach)

Hohe Messe in h-moll : "Dona nobis pacem" / (Joh. Seb. Bach)

Hohe Messe in h-moll : "Benedictus qui venit" / (Joh. Seb. Bach)

Hohe Messe in h-moll : "Benedictus qui venit" / (Joh. Seb. Bach)

Siegmund and Sieglinde reach the mountain height: "The Valkyrie, Act II/Richard Wagner

Siegmund and Sieglinde reach the mountain height: "The Valkyrie, Act II/Richard Wagner

Aha! The Lene is already dropping around 's house (Aha! streicht Lene is about): act 3 (“Die Mastersingers von Nürnberg”)/(Wagner)

Aha! The Lene is already dropping around 's house (Aha! streicht Lene is about): act 3 (“Die Mastersingers von Nürnberg”)/(Wagner)

Tannhäuser: Prelude to act 3/(Wagner)

Tannhäuser: Prelude to act 3/(Wagner)

Isolde! Tristan! Loved! : Love duet; Part I; Act II (“Tristan und Isolde”)/(Richard Wagner)

Isolde! Tristan! Loved! : Love duet; Part I; Act II (“Tristan und Isolde”)/(Richard Wagner)

"Götterdämmerung" : Szene der Waltraute und Brünhilde (1. Teil): Seit er von dir geschieden; [Waltrautes Erzählung, 1. Akt] / Richard Wagner

"Götterdämmerung" : Szene der Waltraute und Brünhilde (1. Teil): Seit er von dir geschieden; [Waltrautes Erzählung, 1. Akt] / Richard Wagner

On eternity: (Herzeleide - 4th part); (“Parsifal,” second act)/(Richard Wagner)

On eternity: (Herzeleide - 4th part); (“Parsifal,” second act)/(Richard Wagner)

Las Walkirias-Preludio: Siegmundo busca refugio en la morada de Hunding [Acto 1]/Wagner. [Vorspiel] = [Siegmund looking for accommodation in H[ Hütte]

Las Walkirias-Preludio: Siegmundo busca refugio en la morada de Hunding [Acto 1]/Wagner. [Vorspiel] = [Siegmund looking for accommodation in H[ Hütte]

Aha: Da streicht die Lene schon ums Haus : "Die Meistersinger von Nürnberg"; 3. Akt / (Wagner)

Aha: Da streicht die Lene schon ums Haus : "Die Meistersinger von Nürnberg"; 3. Akt / (Wagner)

But the disguised day took revenge: love duet; II part; II act (“Tristan and Isolde”)/(Richard Wagner)

But the disguised day took revenge: love duet; II part; II act (“Tristan and Isolde”)/(Richard Wagner)

Siegmund zieht das Schwert aus dem Stamm - Flucht der Liebenden in die Nacht. "Die Walküre", I. Akt

Siegmund zieht das Schwert aus dem Stamm - Flucht der Liebenden in die Nacht. "Die Walküre", I. Akt

Der Kampf: Siegmund fällt : "Die Walküre", II. Akt / Richard Wagner

Der Kampf: Siegmund fällt : "Die Walküre", II. Akt / Richard Wagner

Wehe! Wehe! : (Herzeleide - 2. Teil); ("Parsifal", II. Akt) / (Richard Wagner)

Wehe! Wehe! : (Herzeleide - 2. Teil); ("Parsifal", II. Akt) / (Richard Wagner)

Ha! What moment, Pizarro 's Arie - (“Fidelio”)/(Beethoven)

Ha! What moment, Pizarro 's Arie - (“Fidelio”)/(Beethoven)

Also includes: Prince Igor - How goes it prince?, Aria of Khan Kontchak (act 2)/Borodin [Unity Night: Knjaz Igor <Zdorov 'li, Knjaz>] (further template title)

Also includes: Prince Igor - How goes it prince?, Aria of Khan Kontchak (act 2)/Borodin [Unity Night: Knjaz Igor <Zdorov 'li, Knjaz>] (further template title)

How is it, Prince? : (“Pronz Igor”)/(Borodin)

How is it, Prince? : (“Pronz Igor”)/(Borodin)

Tristan and Isolde: (2 acte); Duo d 'amour; 1re partie: "Isolde! Tristan! Loved! "/ (Wagner)

Tristan and Isolde: (2 acte); Duo d 'amour; 1re partie: "Isolde! Tristan! Loved! "/ (Wagner)