Aleijadinho
Sign in to saveAlso known as Antônio Francisco da Costa Lisboa, António Francisco Lisboa, Antonio Francisco Lisboa, O Aleijadinho, Antônio Francisco Da Costa Lisboa, Antônio Francisco Lisboa, Antonio Francisco da Costa Lisboa
Antônio Francisco Lisboa ( or 1738 – 18 November 1814), better known as Aleijadinho (, ), was a sculptor, carver and architect of Colonial Brazil, noted for his works on and in various churches of Brazil. With a style related to Baroque and Rococo, Aleijadinho is considered almost by consensus as the greatest exponent of colonial art in Brazil by Brazilian critics and, surpassing Brazilian borders, for some foreign scholars he is the greatest name of Baroque in the Americas.
In the Vinony graph
Vinony's link graph records 54 inbound references to Aleijadinho, and connects out to Brazil, Rio de Janeiro and Lisbon.
It is catalogued under topics including 1730s births, 1814 deaths and 18th-century Brazilian artists.
Vinony links it to 27 Wikipedia language editions.
Listeners · Last.fm
- Listeners
- 6
- Total plays
- 6
<a href="https://www.last.fm/music/Aleijadinho">Read more on Last.fm</a>
Key facts
- Artist.name
- Aleijadinho
- Artist.image
- Suposto retrato de Aleijadinho (cropped).png
- Artist.caption
- Alleged posthumous portrait by Euclásio Ventura, 19th century, no contemporary depiction is known
- Artist.nocat_wdimage
- yes
- Artist.birth_place
- Vila Rica (present day Ouro Preto), Minas Gerais, State of Brazil
- Artist.death_place
- Vila Rica, Minas Gerais, State of Brazil
- Artist.known_for
- Sculpting, architecture
- Artist.movement
- Baroque and Rococo
- Person.embed
- yes
- Person.signature
- Aleijadinho signature.svg
via Wikipedia infobox
Described at
Arquivos Aleijadinho - Arte Fora do Museu
arteforadomuseu.com.br →Antônio Francisco Lisboa, mais conhecido como Aleijadinho, foi um importante escultor, entalhador e arquiteto do Brasil colonial.
Excerpt from a page describing this subject · 5,717 chars · not written by Vinony
Wikidata facts
- Image
- H Bernardelli - Retrato de Aleijadinho.jpg
Show 7 more facts
- Commons category
- Aleijadinho
- date of death
- 1814-11-18
- Commons Creator page
- Aleijadinho
- date of birth
- 1730-08-29
- name in native language
- Aleijadinho
- pseudonym
- Lisboa, Antonio Francisco
- described at URL
- arteforadomuseu.com.br/artistas/aleijadinho-arte-fora-do-museu
via Wikidata · CC0
~61 min read
Encyclopedic overview
23 sectionsContents
- Biography
- Early years
- Maturity
- Final years and death
- The man, the disease and the myth
- Iconography
- Historical and artistic context
- Baroque and Rococo
- The gold cycle
- Works
- The authorship and personal style issue
- Main works
- Gilded woodcarving
- Architecture
- Sculpture
- Reliefs
- Critical reception
- In popular culture
- List of documented works
- References
- Citations
- Bibliography
- External links
Antônio Francisco Lisboa ( or 1738 – 18 November 1814), better known as Aleijadinho (, ), was a sculptor, carver and architect of Colonial Brazil, noted for his works on and in various churches of Brazil. With a style related to Baroque and Rococo, Aleijadinho is considered almost by consensus as the greatest exponent of colonial art in Brazil by Brazilian critics and, surpassing Brazilian borders, for some foreign scholars he is the greatest name of Baroque in the Americas.
Little is known with certainty about his biography, which remains shrouded in legend and controversy to this day, making the research work on his life very arduous. The main documentary source on Aleijadinho is a biographical note written only about forty years after his death. His trajectory is reconstructed mainly through the works he left behind, although even in this context his contribution is controversial, since the attribution of authorship for most of the more than four hundred creations that exist today associated with his name was made without any documentary evidence, based only on stylistic similarity with documented pieces.
Excerpted from Wikipedia’s “Aleijadinho” article, available under the CC BY-SA 4.0 licence.