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Altichiero
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Altichiero

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Also known as Alighieri, Aldighieri, Aldigheri, Altichiero Altichieri, Altichiero di Domenico da Zevio, Altichiero Da Zevio, Altichiero da Zevio, Alticjiero da Zevio

thumb|260px|Detail from Crucifixion, a fresco in the Oratorio di San Giorgio of [[Padua]]

OverviewAI-generated

Altichiero, also known as Aldighieri da Zevio, was an Italian painter, illuminator, and artist. Born in Zevio in 1330, he worked primarily in Verona. He was a student of Turone.

His works are held in the collections of the National Gallery of Art, Princeton Art Museum, National Gallery Prague, and the Museum of John Paul II Collection. He is described by the Brockhaus and Efron Encyclopedic Dictionary. Altichiero died in Verona in 1390.

Synthesized by Vinony from 14 facts across 2 sources: Wikidata, Europeana Sparql. Generated from structured data (not the Wikipedia text) and checked against those facts — may still contain errors.

Wikidata facts

Instance of
human
Gender
male
Place of birth
Zevio
Place of death
Verona
Occupation
illuminator
Student of
Turone
Image
Altichiero da Zevio 001.jpg
Work location
Verona
Show 7 more facts
Commons category
Altichiero da Zevio
date of birth
1330-01-01
date of death
1390-01-01
Commons Creator page
Altichiero da Zevio
ethnic group
Italians
has works in the collection
Sant'Anastasia
name
Aldighieri
Sources (2)

via Wikidata · CC0

Works in European collections

5 objects attributed to Altichiero, held across European museums, libraries & archives · via Europeana

~2 min read

Encyclopedic overview

2 sections
Contents
  • References
  • Secondary Sources

thumb|260px|Detail from Crucifixion, a fresco in the Oratorio di San Giorgio of [[Padua]]

Altichiero da Zevio (), also called Aldighieri da Zevio, was an Italian painter much influenced by Giotto, certainly through knowledge of the frescoes in the Cappella degli Scrovegni in Padua and quite possibly through having been trained in Florence by one of Giotto's pupils. Altichiero worked in Verona and Padua. Works by him survive in the church of Sant'Anastasia in Verona and in the Cappella di S Felice (originally Cappella di S Giacomo) in the basilica of Sant'Antonio (Il Santo) and the Oratorio di San Giorgio in Padua. His stature was compromised for a long time through his supposed collaboration with a certain Jacopo Avanzo or Avanzi, but study of the documents and historiography demonstrated Atichiero's authorship of the frescoes in both the Santo and the Oratorio di San Giorgio. It has been argued that the hand of an assistant (conceivably Jacopo Avanzo or Jacopo Avanzi, both Bolognese painters) can be seen in some early scenes in the Santo (Cappella di S Felice, originally the Cappella di S Giacomo) – although it was certainly Altichiero who was paid to decorate the chapel, and he received 792 ducats in the summer of 1379.

Excerpted from Wikipedia’s “Altichiero” article, available under the CC BY-SA 4.0 licence.

Gallery (4)