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Amiri Baraka

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Amiri Baraka

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Also known as Imamu Amear Baraka, LeRoi Jones, Everett Leroy Jones, Imamu Amiri Baraka, Imamu Baraka

African-American writer (1934–2014)

OverviewAI-generated

Amiri Baraka (1934–2014) was an American poet, writer, playwright, and screenwriter. Born in Newark, New Jersey, he was associated with the Beat Generation, the Black Arts Movement, and the New Communist Movement. He received a Guggenheim Fellowship and American Book Awards. Baraka was a member of the American Academy of Arts and Letters and was educated at Howard University, Columbia University, Rutgers University, and The New School.

He worked as a faculty member at the University at Buffalo, Stony Brook University, and San Francisco State University. His literary career began in 1958, and he wrote in English. Notable works include *William Carlos Williams*, *Spring & soforth*, *Barakario*, and *RWH on the Black liberation movement*. He was married to Hettie Jones and had a child named Kellie Jones. Baraka died in Newark.

Synthesized by Vinony from 49 facts across 10 sources: Wikidata, OpenAlex, Open Library, MusicBrainz, Crossref, Last.fm, TMDb, Firecrawl, Wikiquote, Vinony graph. Generated from structured data (not the Wikipedia text) and checked against those facts — may still contain errors.

Person · Open Library

Born
October 7, 1934
Died
2014
Works
260

Top works

  • Great goodness of life
  • William Carlos Williams
  • Spring & soforth
  • Barakario
  • RWH on the Black liberation movement

via Open Library + Wikidata

Film & TV

Writing · Newark, New Jersey, USA

Amiri Baraka (born Everett LeRoi Jones October 7, 1934), formerly known as LeRoi Jones and Imamu Amear Baraka, is an African-American writer of poetry, drama, fiction, essays, and music criticism. He is the author of numerous books of poetry and has taught at a number of universities, including the State University of New York at Buffalo and the State University of New York at Stony Brook. He…

Known for

  • castelporziano ostia dei poeti — Self - poet2025
  • Sing! Fight! Sing! Fight! From LeRoi to Amiri — Self2024
  • Ferlinghetti: A Rebirth of Wonder — Self2009
  • Obscene: A Portrait of Barney Rosset and Grove Press — Self2008
  • New York Agora: The Legacy of the 60s Counterculture — Himself2008
  • Polis Is This: Charles Olson and the Persistence of Place2007
  • Return to Gorée — Self2007
  • Turn Me On — Self2007
  • The Pact — Self2006
  • Hubert Selby Jr: It/ll Be Better Tomorrow — Self2006

via TMDB

Music · MusicBrainz

Type
Person
Gender
Male
Country
United States
Active from
1934
Active to
2014

via MusicBrainz · CC0

Listeners · Last.fm

Listeners
5,160
Total plays
27,745

Tags

spoken wordjazzpoetryamericanjazz-poetry

Amiri Baraka is an influential American poet, dramatist and music critic. Known for his outspoken political activism, he may be best remembered for his controversial tenure as Poet Laureate of New Jersey. Important writings include Preface to a Twenty Volume Suicide Note (1961) and Blues People: Negro Music in White America (1963), which remains one of the most influential volumes of jazz criticism. Baraka's website is http://www.amiribaraka.com/. <a href="https://www.last.fm/music/Amiri+Bara

via Last.fm · Amiri Baraka

Academic profile · OpenAlex

13h-index
Works
47
Cited by
2,078

Research areas

ArtPolitical scienceHistoryLiteratureComputer science

Most cited works

via OpenAlex · CC0

Quotes

  • One of the most persistent traits of the Western white man has always been his fanatical and almost instinctive assumption that his systems and ideas about the world are the most desirable, and further that people who do not aspire to to them, or at least think them admirable, are savages or enemies. The idea that Western thought might be exotic if viewed from another landscape never presents itself to most Westerners.
  • The Black Artist's role in America is to aid in the destruction of America as he knows it. His role is to report and reflect so precisely the nature of the society, and of himself, in that society, that other men will be moved by the exactness of his rendering, and if they are black men, grow strong through this moving, having seen their own strength, and weakness, and if they are white men, tremble, curse, and go mad, because they will be drenched with the filth of their evil.
  • When I was saying, 'White people go to hell,' I never had trouble finding a publisher, but when I was saying, 'Black and white, unite and fight, destroy capitalism,' then you suddenly get to be unreasonable.
  • A man is either free or he is not. There cannot be any apprenticeship for freedom.

via Wikiquote · CC BY-SA

Key facts

Born
Everett Leroy Jones , ( 1934-10-07 ) October 7, 1934, Newark, New Jersey , U.S.
Died
January 9, 2014 (2014-01-09) (aged 79), Newark, New Jersey, U.S.
Pen name
LeRoi Jones, Imamu Amear Baraka
Occupation
Actor teacher theater director theater producer writer activist poet
Genres
Poetry and drama
Literary movement
Black Arts
Years active
1961–2014
Spouses
Hettie Cohen ​ ​ ( married</span>"}]]}'>m. 1958 ; divorced</span>"}]]}'>div. 1964 ) ​ Sylvia Robinson ​ ( married</span>"}]]}'>m. 1966 ) ​
Children
Kellie Jones , Lisa Jones , Dominique di Prima , Maria Jones, Shani Baraka, Obalaji Baraka, Ras J. Baraka , Ahi Baraka, Amiri Baraka Jr.
Allegiance
United States
Branch
United States Air Force
Service years
1954–1957

via Wikipedia infobox

Official website

Home - Amiri Baraka

amiribaraka.com

Link to the official site · 3,475 chars · not written by Vinony

~40 min read

Encyclopedic overview

Amiri Baraka (born Everett Leroy Jones; October 7, 1934 – January 9, 2014), previously known as LeRoi Jones and Imamu Amear Baraka, was an American writer of poetry, drama, fiction, essays, and music criticism. He was the author of numerous books of poetry and taught at several universities, including the University at Buffalo and Stony Brook University. He received the PEN/Beyond Margins Award in 2008 for Tales of the Out and the Gone. Baraka's plays, poetry, and essays have been described by scholars as constituting defining texts for African-American culture.

Baraka's career spanned nearly 52 years, and his themes range from Black liberation to White racism. His notable works of criticism and poetry include "The Music: Reflection on Jazz and Blues", "The Book of Monk", and "New Music, New Poetry", works that draw on topics from the worlds of society, music, and literature.

Excerpted from Wikipedia’s “Amiri Baraka” article, available under the CC BY-SA 4.0 licence.