File:Schönberg_-_CR_153.jpg · Wikimedia Commons · See Wikimedia Commons
Arnold Schoenberg
Sign in to saveAlso known as Arnold Schönberg, A. Schenberg, Arnold Franz Walter Schoenberg, Arnold Schonberg, Arnolʹd Shenberg, A. Shenberg
Austrian-Jewish American composer (1874-1951)
OverviewAI-generated
Arnold Franz Walter Schönberg was an Austrian composer, painter, musicologist, music theorist, and writer. Born in Leopoldstadt, Vienna, Austria, on September 13, 1874, he was a member of the Second Viennese School. His notable works include *Erwartung*, *Verklärte Nacht*, and *A Survivor from Warsaw*. He worked in Berlin and was associated with genres such as 20th-century classical music, opera, atonality, and serialism.
Schoenberg held citizenship in Austria, the United States, Austria–Hungary, and Germany. He taught students including Josef Rufer, Alban Berg, Viktor Ullmann, and Hanns Eisler. He died of a myocardial infarction in Los Angeles on July 13, 1951, and is buried in the Vienna Central Cemetery.
Synthesized by Vinony from 44 facts across 9 sources: Wikidata, Crossref, Open Library, MusicBrainz, Last.fm, TMDb, Europeana Sparql, Wikiquote, Vinony graph. Generated from structured data (not the Wikipedia text) and checked against those facts — may still contain errors.
Person · Open Library
- Born
- 1874
- Died
- 1951
- Works
- 269
Top works
- Eine neue Zwölfton-Schrift
- Opinions musicales
- [Schoenberg-Engel correspondence]
- Zar hinkha
- הנצול מורשה
via Open Library + Wikidata
Film & TV
Sound · Leopoldstadt, Vienna, Austria
Arnold Schoenberg or Schönberg was a Jewish Austrian composer, music theorist, and painter. He was associated with the expressionist movement in German poetry and art, and leader of the Second Viennese School. By 1938, with the rise of the Nazi Party, Schoenberg's works were labeled degenerate music, because he was Jewish. He moved to the United States in 1934. (Wikipedia)
Known for
- Through the Darkness2021
via TMDB
Music · MusicBrainz
- Type
- Person
- Gender
- Male
- Origin
- Austria
- Active from
- 1874
- Active to
- 1951
Discography
- Schoenberg: 5 Pieces for Orchestra, op. 16 / Bartok: Music for Stringed Instruments, Percussion and Celesta1953
- Pierrot lunaire, op. 211955
- Transfigured Night / Fantasia on a Theme by Thomas Tallis1958
- Pierrot lunaire1962
- The Music of Arnold Schoenberg, Vol. 4: The Complete Music for Solo Piano / Songs for Voice & Piano1966
- Schoenberg: Transfigured Night / Eloy: Equivalences / Schoenberg, Eloy / Pousseur: Madrigal III1967
- Schönberg: Suite op. 29 / Webern: Trio op. 20 / Webern: Quartet op. 221967
- Intégrale de l’œuvre pour piano1968
- Piano Concerto Op. 42 / Piano Pieces Op. 23 / Fantasy For Violin And Piano Op. 471968
- Neue Wiener Schule: Die Streichquartette1971
via MusicBrainz · CC0
Listeners · Last.fm
- Listeners
- 131,667
- Total plays
- 1,012,105
Tags
Arnold Schönberg (13 September 1874 – 13 July 1951) was an Austrian composer and painter, associated with the expressionist movement in German poetry and art, and leader of the Second Viennese School. After his move to the United States in 1934, he altered the spelling of his surname from Schönberg to Schoenberg. Schönberg's approach, both in terms of harmony and development, has been one of the most influential of 20th-century musical thought. <a href="https://www.last.fm/music/Arnold+Sch%C3%B
Recent publications · Crossref
5 total works indexed
- Model Evaluation Guidelines for Systematic Quantification of Accuracy in Watershed Simulations
· 2007 · cited 10,224x
- The Sequence of the Human Genome
· 2001 · cited 10,201x
- The job demands-resources model of burnout.
· 2001 · cited 9,849x
- The Job Demands‐Resources model: state of the art
· 2007 · cited 9,695x
- VI. The phenomena of rupture and flow in solids
· 1921 · cited 7,670x
via Crossref · CC0
Quotes
- “An artistic impression is substantially the resultant of two components. One what the work of art gives the onlooker — the other, what he is capable of giving to the work of art.”
- “Market value is irrelevant to intrinsic value. … Unqualified judgment can at most claim to decide the market-value — a value that can be in inverse proportion to the intrinsic value.”
- “Although our "gentle air" cannot improve the way hate and envy look, it does seem not to encourage firmness and decision. All is compromise; caution and refinement are everywhere. Everything has to "make a good impression" — whether or not it is any good: the impression is the main thing.”
- “I have just read your book [On the Spiritual in Art] from cover to cover, and I will read it once more. I find it pleasing to an extraordinary degree, because we agree on nearly all of the main issues..”
- “Now we will throw these mediocre kitsch-mongers into slavery, and teach them to venerate the German spirit and to worship the German God.”
- “There are no more geniuses, only critics.”
via Wikiquote · CC BY-SA
Works in European collections
21 objects attributed to Arnold Schoenberg, held across European museums, libraries & archives · via Europeana
~40 min read
Encyclopedic overview
Arnold Schoenberg or Schönberg (13 September 1874 – 13 July 1951) was an Austrian and American modernist composer, music theorist, teacher, and associated with developing variation, the emancipation of the dissonance, and twelve-tone composition. He taught composition in Vienna and at the Prussian Academy of Arts (1925–1933), resigning in anticipation of Nazi Germany's civil–service restrictions. He defiantly reaffirmed his Judaism before immigrating to the United States, where he taught at the University of California, Los Angeles (1936–1944).
Early works like Verklärte Nacht (1899) and Gurre-Lieder (1900–1903, orch. 1910–1911) represented a synthesis of Johannes Brahms and Richard Wagner, while Richard Strauss influenced Pelleas und Melisande (1902–1903). Schoenberg mentored Anton Webern and Alban Berg, among others tied to the Second Viennese School, and they began writing atonal, expressionist music. He visited extremes of emotion in his String Quartet No. 2 (1907–1908) and Erwartung (1909), and used word painting structurally in Herzgewächse (1911, published with his other works in Der Blaue Reiter Almanach in 1912) and Pierrot lunaire (1912). As opposition and antisemitism gradually deepened his sense of outsider, Jewish identity, he underwent a spiritual turn inspired partly by Gustav Mahler, began Die Jakobsleiter (planned from 1912), and sought a large-scale governing principle like tonality.
Excerpted from Wikipedia’s “Arnold Schoenberg” article, available under the CC BY-SA 4.0 licence.
Gallery (13)
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