In literature and the arts, bathos ( ; , "depth") is the use of a lofty, elegant, or elevated style to present silly, vulgar, or trivial subject-matter, or a sudden transition from the former to the latter, thereby creating a ludicrous or comedic effect. Nowadays, bathos can refer to such usage occurring either accidentally (through artistic ineptitude) or intentionally as a rhetorical device (usually for the sake of comedy). Originally, it referred to an amusingly failed attempt at presenting artistic greatness and was first used in this sense in Alexander Pope's 1727 essay "Peri Bathou
In literature and the arts, bathos ( ; , "depth") is the use of a lofty, elegant, or elevated style to present silly, vulgar, or trivial subject-matter, or a sudden transition from the former to the latter, thereby creating a ludicrous or comedic effect. Nowadays, bathos can refer to such usage occurring either accidentally (through artistic ineptitude) or intentionally as a rhetorical device (usually for the sake of comedy). Originally, it referred to an amusingly failed attempt at presenting artistic greatness and was first used in this sense in Alexander Pope's 1727 essay "Peri Bathous". Intentional bathos appears in satirical genres such as burlesque and mock epic. "Bathos" or "bathetic" is also used for similar effects in other branches of the arts, such as musical passages marked ridicolosamente. In film, bathos may appear in a contrast cut intended for comic relief or be produced by an accidental jump cut.
== Alexander Pope's definition ==
Discovered by embedding cosine similarity (sentence-transformers MiniLM, 384-dim).