Béla Tarr

Béla Tarr (21 July 1955 – 6 January 2026) was a Hungarian film director, screenwriter and producer. His films are distinguished by their stark black-and-white visuals, extended long takes, languid pacing, and an absence of traditional plotting. They explore existential themes and often focus on marginalized, desperate characters in bleak landscapes. He became known as a founding figure of the slow cinema genre, most notably with his influential 1994 film Sátántangó. That film is often in scholarly polls of the greatest films ever made.

Debuting with the film Family Nest (1979), Tarr began his directorial career with a brief period of what he refers to as "social cinema", aimed at telling everyday stories about ordinary people, often in the style of cinema vérité. Almanac of Fall (1984) follows the inhabitants of a run-down apartment as they struggle to live together while sharing their hostilities. The drama Damnation (1988) was lauded for its languid and controlled camera movement, which Tarr would become known for internationally. Sátántangó (1994) and Werckmeister Harmonies (2000) continued his bleak and desolate representations of reality, while incorporating apocalyptic overtones. Tarr would later compete at the 2007 Cannes Film Festival with his film The Man from London, which opened to moderately positive reviews.