File:Bernardo_Bellotto.jpg · Wikimedia Commons · See Wikimedia Commons
Bernardo Bellotto
Sign in to saveAlso known as Canaletti Jun., Bernardo Belota, Bernardo Michiel Bellotto, Bernardo Belloto, Bernardo Bellotti, Bernard Belloto, Il Canaletto, Canaletto Belotto
Italian artist (1722–1780)
Person · Open Library
- Born
- 1721
- Died
- 1780
- Works
- 12
via Open Library + Wikidata
Recent publications · Crossref
5 total works indexed
- Worldwide trends in body-mass index, underweight, overweight, and obesity from 1975 to 2016: a pooled analysis of 2416 population-based measurement studies in 128·9 million children, adolescents, and adults
· 2017 · cited 5,585x
- The Worldwide Prevalence of ADHD: A Systematic Review and Metaregression Analysis
· 2007 · cited 4,334x
- Bone marrow cells regenerate infarcted myocardium
· 2001 · cited 4,073x
- <scp>parsec</scp>: stellar tracks and isochrones with the PAdova and TRieste Stellar Evolution Code
· 2012 · cited 3,794x
- The repertoire of mutational signatures in human cancer
· 2020 · cited 3,335x
via Crossref · CC0
Key facts
- Born
- 30 January 1721, Venice , Republic of Venice
- Died
- 17 November 1780 (aged 59), Warsaw , Polish–Lithuanian Commonwealth
- Resting place
- Capuchin Church , Warsaw, Poland
- Known for
- Landscape painting
- Patrons
- Stanislaus II Augustus
via Wikipedia infobox
Described at
Bernardo Bellotto — Google Arts & Culture
Bernardo Bellotto, was an Italian urban landscape painter or vedutista, and printmaker in etching famous for his vedute of European cities.
artsandculture.google.com →Bernardo Bellotto, was an Italian urban landscape painter or vedutista, and printmaker in etching famous for his vedute of European cities. He was the student and nephew of the famous Giovanni Antonio Canal Canaletto and sometimes used the latter's illustrious name, signing himself as Bernardo Canaletto. In Germany and Poland, Bellotto called himself by his uncle's name, Canaletto. This caused some confusion, however Bellotto’s work is more sombre in color than Canatello's and his depiction of clouds and shadows brings him closer to Dutch painting. Bellotto's style was characterized by elaborate representation of architectural and natural vistas, and by the specific quality of each place's lighting. It is plausible that Bellotto, and other Venetian masters of vedute, may have used the camera obscura in order to achieve superior precision of urban views.
Excerpt from a page describing this subject · 9,557 chars · not written by Vinony
Works in European collections
36 objects attributed to Bernardo Bellotto, held across European museums, libraries & archives · via Europeana
Canal Grande
Exit of the Bucentaur to the sea marriage
The former Zwingergraben in Dresden
View of Munich
St. Mark’s Square
View of Turin from the Garden of Palazzo Reale
Dresdener Neustadt: Next place with the Reiterdenkmal Augustus des Starken
Idealvedute from the Capitoline Senators Palace
Vienna: Freyung from the North West
Canal Grande
View of Doge Palace and Piazzetta
The Rialto Bridge in Venice
Ballet scene from “Le Ture Genereux”
The Dogana in Venice
Canal Grande
Ideal palace vedute
Dresden from the right bank of the Elbe below Augustus Bridge
Piazza San Marco
The Neustädter Markt with the old Neustädter Rathaus
Canal Grande
View of Turin from the Garden of Palazzo Reale
Munich from the East side
The old Walton-Bridge
Pirna
Canal Grande
Venetian vedute
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~11 min read
Encyclopedic overview
Bernardo Bellotto (c. 1721/1722 or 30 January 1721 – 17 November 1780), was an Italian urban landscape painter or vedutista, and printmaker in etching famous for his vedute of European cities – Dresden, Vienna, Turin, and Warsaw. He was the student and nephew of the renowned Giovanni Antonio Canal, known as Canaletto, and sometimes used the latter's illustrious name, signing himself as Bernardo Canaletto. In Germany and Poland, Bellotto called himself by his uncle's name, Canaletto. This caused some confusion, however Bellotto's work is more sombre in color than Canaletto's and his depiction of clouds and shadows brings him closer to Dutch painting.
Bellotto's style was characterized by elaborate representation of architectural and natural vistas, and by the specific quality of each place's lighting. It is plausible that Bellotto, and other Venetian masters of vedute, may have used the camera obscura in order to achieve superior precision of urban views.
Excerpted from Wikipedia’s “Bernardo Bellotto” article, available under the CC BY-SA 4.0 licence.