Bovarysme is a term derived from Gustave Flaubert's Madame Bovary (1857), coined by Jules de Gaultier in his 1892 essay on Flaubert's novel, "Le Bovarysme, la psychologie dans l’œuvre de Flaubert". It denotes a tendency towards escapist daydreaming in which the dreamer imagines themself to be a hero or heroine in a romance, whilst ignoring the everyday realities of the situation. The eponymous Madame Bovary is an example of this.
Bovarysme is a term derived from Gustave Flaubert's Madame Bovary (1857), coined by Jules de Gaultier in his 1892 essay on Flaubert's novel, "Le Bovarysme, la psychologie dans l’œuvre de Flaubert". It denotes a tendency towards escapist daydreaming in which the dreamer imagines themself to be a hero or heroine in a romance, whilst ignoring the everyday realities of the situation. The eponymous Madame Bovary is an example of this.
In his essay "Shakespeare and the Stoicism of Seneca" (1927), T. S. Eliot suggested Othello's last great speech as an example: "I do not believe that any writer has ever exposed this bovarysme, the human will to see things as they are not, more clearly than Shakespeare." Polish researcher, Grzegorz Przepiórka, describe bovarysme as: "a post-romantic phenomenon characterized by an escape from reality into the sphere of illusion, as a result of the influence of cultural texts".
Discovered by embedding cosine similarity (sentence-transformers MiniLM, 384-dim).