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Byzantine Iconoclasm

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Two periods in the history of the Byzantine Empire when the use of religious images or icons was opposed by religious and imperial authorities.

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Within Vinony's link graph, Byzantine Iconoclasm is referenced by 2,132 other articles, and connects out to Nikephoros I of Constantinople, iconodule and economy of the Byzantine Empire.

It is catalogued under topics including 8th century in the Byzantine Empire, 9th century in the Byzantine Empire and Byzantine Anatolia.

Its subject is documented across 41 Wikipedia language editions.

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Byzantine Iconoclasm
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Category:Byzantine Iconoclasm
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Encyclopedic overview

A simple cross: example of iconoclastic art in the Hagia Irene church in Istanbul

The Byzantine Iconoclasm (Ancient Greek: Εἰκονομαχία, romanized: Eikonomachía, lit. 'image struggle', 'war on icons') are two periods in the history of the Byzantine Empire when the use of religious images or icons was opposed by religious and imperial authorities within the Ecumenical Patriarchate (at the time still comprising the Roman-Latin and the Eastern-Orthodox traditions) and the temporal imperial hierarchy. The First Iconoclasm, as it is sometimes called, occurred between about 726 and 787, while the Second Iconoclasm occurred between 814 and 842. According to the traditional view, Byzantine Iconoclasm was started by a ban on religious images promulgated by the Byzantine Emperor Leo III the Isaurian, and continued under his successors. It was accompanied by widespread destruction of religious images and persecution of supporters of the veneration of images. The Papacy remained firmly in support of the use of religious images throughout the period, and the whole episode widened the growing divergence between the Byzantine and Carolingian traditions in what was still a unified European Church, as well as facilitating the reduction or removal of Byzantine political control over parts of the Italian Peninsula.

Excerpted from Wikipedia’s “Byzantine Iconoclasm” article, available under the CC BY-SA 4.0 licence.

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