chorale
Sign in to savethumb|upright=1.35|Bach's four-part chorale setting of "O Haupt voll Blut und Wunden" as it appears in [[St Matthew Passion.]]
Article
19 sectionsContents
- History
- 16th century
- 17th century
- 18th century
- 19th century
- 20th to 21st century
- Types
- Vocal
- Part song
- Elaborate choral settings
- Monodic with instrumental accompaniment
- Instrumental
- Organ
- Orchestra
- Other
- References
- Sources
- Further reading
- External links
thumb|upright=1.35|Bach's four-part chorale setting of "O Haupt voll Blut und Wunden" as it appears in [[St Matthew Passion.]]
A chorale is the name of several related musical forms originating in the music genre of the Lutheran chorale: Hymn tune of a Lutheran hymn (e.g. the melody of "Wachet auf, ruft uns die Stimme"), or a tune in a similar format (e.g. one of the themes in the Finale of Saint-Saëns's Third Symphony) Such tune with a harmonic accompaniment (e.g. chorale monody, chorales included in Schemellis Gesangbuch) Such a tune presented in a homophonic or homorhythmic harmonisation, usually four-part harmony (e.g. Bach's four-part chorales, or the chorale included in the second movement of Mahler's Fifth Symphony) A more complex setting of a hymn-like tune (e.g. chorale fantasia form in Bach's Schübler Chorales, or a combination of compositional techniques in César Franck's '''')