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conductus
EntityQ846748· pop 21· linked from 212 articles

thumbnail|Conductus Beata viscera digital facsimile of Wolfenbüttel 1099

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Conductus
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Article

15 sections
Contents
  • History
  • Origins of the name
  • Development
  • Authorship
  • Musical characteristics
  • Number of voices
  • Form
  • Style and declamation
  • Rhythm
  • Performance
  • Reception history
  • References by medieval authors
  • Selected discography
  • References
  • Further reading

thumbnail|Conductus Beata viscera digital facsimile of Wolfenbüttel 1099

The conductus (plural: conducti) was a sacred Latin song in the Middle Ages, one whose poetry and music were newly composed. It is non-liturgical since its Latin lyric borrows little from previous chants. The conductus was northern French equivalent of the versus, which flourished in Aquitaine. It was originally found in the twelfth-century Aquitanian repertories. But major collections of conducti were preserved in Paris. The conductus typically includes one, two, or three voices. A small number of the conducti are for four voices. Stylistically, the conductus is a type of discant (i.e. note-against-note polyphony). Its form can be strophic or through-composed form. The genre flourished from the early twelfth century to the middle of thirteenth century. It was one of the principal types of vocal composition of the ars antiqua period of medieval music history.

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