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D'Hannetaire

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Jean-Nicolas Servandoni, stage name '''D'Hannetaire''', (3 November 1718 - 1 January 1780) was a French actor and theatre director.

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Within Vinony's link graph, D'Hannetaire is referenced by 10 other articles, and connects out to Germany, Paris and Florence.

Vinony files it under 1718 births, 1780 deaths and 18th-century French male actors.

Its subject is documented across 6 Wikipedia language editions.

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  • Observations sur l'art du comédien: et sur d'autres objets concernant cette profession en général

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Wikidata facts

Instance of
human
Given name
Nicolas
Gender
male
Citizenship
France
Place of birth
Grenoble
Occupation
actor
Languages spoken
French
Native language
French
Show 5 more facts
date of birth
1718-11-03
date of death
1780-01-01
birth name
Jean-Nicolas Servandoni
pseudonym
D'Hannetaire
name in native language
D'Hannetaire
Sources (1)

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Encyclopedic overview

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Contents
  • Life
  • Works
  • Sources

Jean-Nicolas Servandoni, stage name '''D'Hannetaire''', (3 November 1718 - 1 January 1780) was a French actor and theatre director.

==Life== He was born in Grenoble, the son of the Florentine painter Giovanni Niccolò Servandoni (also known as Jean-Nicolas Servandoni) and his wife Marie-Josèphe Gravier, known for his façade for the église Saint-Sulpice in Paris. D'Hannetaire seems to have begun his acting career in Germany, around 1740. He played at the château d'Arolsen, for the prince of Waldeck, around 1743 and was in Aix-la-Chapelle in 1744, from whence he arrived in Liège around the end of the year. In November he presented a Divertissement nouveau de chants et de danses for prince-bishop Jean-Théodore of Bavaria and, also whilst in Liège, married the comic-actor Marguerite-Antoinette Huet (stage name Mademoiselle Danicourt) on 17 February 1745. The couple arrived in Brussels in October 1745 and D'Hannetaire took up leadership of the Théâtre de la Monnaie, from which he was dislodged four months later by Favart. He and his wife integrated into the troupe of maréchal de Saxe and he once again took direction of the theatre on the departures of the French troupes at the end of 1748.

Excerpted from Wikipedia’s “D'Hannetaire” article, available under the CC BY-SA 4.0 licence.

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