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Dichterliebe
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Dichterliebe

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Also known as Dichterliebe, Op. 48

Dichterliebe, ''A Poet's Love (composed 1840), is the best-known song cycle by Robert Schumann (Op. 48). The texts for its 16 songs come from the Lyrisches Intermezzo'' by Heinrich Heine, written in 1822–23 and published as part of Heine's Das Buch der Lieder. Along with the song cycles of Franz Schubert (Die schöne Müllerin and Winterreise), Schumann's form the core of the genre in musical literature.

Key facts

Musical composition.name
Dichterliebe
Musical composition.type
Song cycle
Musical composition.composer
Robert Schumann
Musical composition.image
Robert Schumann 1839.jpg
Musical composition.caption
The composer in 1839
Musical composition.dedication
Wilhelmine Schröder-Devrient
Musical composition.opus
48
Musical composition.translation
''A Poet's Love''
Musical composition.text
poems from Lyrisches Intermezzo by Heinrich Heine
Musical composition.language
German
Musical composition.movements
16

via Wikipedia infobox

Wikidata facts

Image
Dichterliebe.png
Show 3 more facts
opus number
48
publication date
1840-00-00
title
Dichterliebe
Sources (1)

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~13 min read

Article

9 sections
Contents
  • Source: Heine's ''Lyrisches Intermezzo''
  • Song cycle
  • Songs
  • Recordings
  • In literature
  • Notes
  • References
  • Further reading
  • External links

Dichterliebe, ''A Poet's Love (composed 1840), is the best-known song cycle by Robert Schumann (Op. 48). The texts for its 16 songs come from the Lyrisches Intermezzo'' by Heinrich Heine, written in 1822–23 and published as part of Heine's Das Buch der Lieder. Along with the song cycles of Franz Schubert (Die schöne Müllerin and Winterreise), Schumann's form the core of the genre in musical literature.

== Source: Heine's Lyrisches Intermezzo == Author of the sarcastic Die Romantische Schule, Heine was a vocal critic of German romanticism, though he is often described as a quintessentially Romantic writer. In some of his poetry, and notably in Deutschland. Ein Wintermärchen (1844), romantic lyrical conventions are used as vessels to deploy biting, satirical nature. Dichterliebe was composed before Heine's Deutschland and does not appear to portray this ironic dimension: scholarship is divided as to what extent Schumann intended to express it.

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