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Fatoumata Diawara (born 1982) is a Malian musician currently living in France. Born in the Ivory Coast to Malian parents, Diawara moved to France to pursue acting, appearing in Cheikh Oumar Cissoko's 1999 feature film La Genèse, Dani Kouyaté's popular 2001 film Sia, le rêve du python, in the internationally renowned street theatre troupe Royal Deluxe, and played a leading role in the musical Kirikou et Karaba. She later took up the guitar and began composing her own material <a href="https://www

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Recent publications · Crossref

5 total works indexed

1. Global Retinoblastoma Presentation and Analysis by National Income Level

   · 2020 · cited 306x

2. Feasibility of Onchocerciasis Elimination with Ivermectin Treatment in Endemic Foci in Africa: First Evidence from Studies in Mali and Senegal

   · 2009 · cited 291x

3. Pneumococcal lineages associated with serotype replacement and antibiotic resistance in childhood invasive pneumococcal disease in the post-PCV13 era: an international whole-genome sequencing study

   · 2019 · cited 280x

4. Malaria morbidity and pyrethroid resistance after the introduction of insecticide-treated bednets and artemisinin-based combination therapies: a longitudinal study

   · 2011 · cited 255x

5. Natural Malaria Infection in <i>Anopheles gambiae</i> Is Regulated by a Single Genomic Control Region

   · 2006 · cited 223x

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Quotes

• “I am particularly moved because this is the very first time I am performing in South Africa”
• “South Africa is so deeply rooted in history. You can't talk about South Africa without mentioning its history, culture, and great artists like Miriam Makeba, Hugh Masekela, Busi Mhlongo, etc.”
• “Looking at the new generation of African artists, many of them get trapped early on in styles that aren’t theirs, and that limits them. At this rate, I worry about the future of African music, and that in the future, there won’t be many singers who represent the African woman.”
• “Yes, but you have to put things in a positive way. It's true. We want to change the image of Africa, because we've been realizing that only we ourselves can change Africa. Nobody can do it for us. People try, because they love us, but only we can change things. We understand that we should stand up and try to write our own story.”
• “I know. I know, but for now, on the cultural side, it's a really good connection for Africa. Because my audience is not only Malian people. They come from all over the world, an this is because of social media. My lyrics are talking about women, and that concerns all women. It doesn't matter where you are from. When I say women, everyone will feel like she's part of the subject. And this is great. It's a good connection for the world.”
• “It's serious. We should keep fighting. There are only a few female artists doing this. It's a big responsibility. Because people can hate you. You can really have a problem with all those things”

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Wikidata facts

Official website

fatoumatadiawara.com/en

Image

Fatoumata Diawara Rudolstadt 11 (cropped).jpg

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