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Ferdinand Leitner
Sign in to saveGerman composer and conductor (1912-1996)
Music · MusicBrainz
- Type
- Person
- Gender
- Male
- Origin
- Germany
- Active from
- 1912
- Active to
- 1996
via MusicBrainz · CC0
Listeners · Last.fm
- Listeners
- 1,987
- Total plays
- 6,026
Tags
Ferdinand Leitner (4 March 1912 in Berlin – 3 June 1996 in Zürich) was a German conductor. Leitner studied under Franz Schreker, Julius Prüwer, Artur Schnabel and Karl Muck. He also was a composition student with Robert Kahn. Starting as a pianist, through the help of Fritz Busch, he became a conductor in the 1930s. He was conductor of the Nollendorfplatz Theater in Berlin from 1943 to 1945; in Hanover from 1945 to 1946; in Munich from 1946 to <a href="https://www.last.fm/music/Ferdinand+Leitne
Wikidata facts
- Instance of
- human
- Given name
- Ferdinand
- Family name
- Leitner
- Gender
- male
- Citizenship
- Germany
- Place of birth
- Berlin
- Place of death
- Zurich
- Occupation
- conductor
- Languages spoken
- German
- Student of
- Robert Kahn
- Genre
- classical music
- Image
- Ferdinand Leitner, 1960 - collezione Tino Barindelli.tif
Show 6 more facts
- date of birth
- 1912-03-04
- date of death
- 1996-06-03
- Commons category
- Ferdinand Leitner
- student
- Bernard Haitink
- name in native language
- Ferdinand Leitner
- P8168
- Battle of Hanko
via Wikidata · CC0
Works in European collections
33 objects attributed to Ferdinand Leitner, held across European museums, libraries & archives · via Europeana
The Freischütz: How close I am to the Schlummer (scene and aria of the Agathe)/(Weber)
Benedeit the Blessed Mother/Hugo Wolf - Paul Heyse
The Wild Shot: Five Thousand Taler (Arie des Baculus)/(Albert Lortzing)
The Freischütz: And whether the cloud covers it (Kavatine der Agathe)/(Weber)
The Valkyrie: How the forehead is so open to you. Final duet of the 1st act, II part/[Music and text: Richard] Wagner
“How does the lilac smell” (flying monologue), from: Die Meister singers von Nuremberg [2nd act]
Du Ring on my finger, off: “Frauenliebe und Leben”/(Schumann)
Aida: Winner return home - The words of the Törin. Still of Aida a. 1st Nude/Verdi
On a hike/Hugo Wolf - Eduard Mörike
The Rosenkavalier: Finale 3. Nude - So fast she loved him so much (dialog), Hab “mir” s praised (tercett)/(Richard Ostrich)
“Wahn, Wahn,” Wahn "[des Hans Sachs], aus: Die Mastersingers von Nuremberg.
Egmont: op. 84; No. 7 - Echens Tod/[Musik:] Ludwig van Beethoven; [Text:] Goethe’ s
Includes: Girls“Song (III), (Auf die Nacht in die Spinnstub”n), op. 107 No. 5/Joh. Brahms. Text: Paul Heyse [Unity Night: Songs, op. 107 <Mädchen Song>] (further template title)
Egmont: op. 84; No. 1 - Echen E: Die Trommel gerE; No. 4 - Echen Song: Freudian and suffering/[Musik:] Ludwig van Beethoven; [Text:] Goethe’ s
The game pupil: Let him hear (duet: Gretchen - Baculus)/(Albert Lortzing)
The Rosenkavalier: Final Act 3 - Is a dream (duet and scene until the end of the act)/(Richard Ostrich)
Magnificat f. Soli, choir and orchestra; 1st movement, choir: Magnificat anima mea Dominum/Johann Sebastian Bach
The Valkyrie: Winter storms gave way to the winter moon. Final duet of the 1st act, I. part/[Music and text: Richard] Wagner
Alt-Rhapsodie c-moll op. 53: But lonely who is' s/Johannes Brahms
Tannhäuser: Entrance of the guests (Freudig we greet the hall)/(Wagner)
Tannhäuser: Pilgrim’s choir (Befortt may now you, o Heimat)/(Wagner)
The Gardener: (On her Leibrößlein)/Hugo Wolf - Eduard Mörike
Hoffmann’s stories: Walzer from the 1st act/(Offenbach)
Magnificat f. Soli, choir and orchestra; 2nd movement, old solo: Et exultavit spiritus meus/Johann Sebastian Bach
Also includes: Vergebliche Ständchen/Brahms [Unity Night: Romances and Songs, op. 84 <Vergebliche Ständchen>] (further template title)
Aid: soon comes Radames - Azurne Bläue. Romance of Aida a. 3. Nude/Verdi
Alt-Rhapsodie c-moll op. 53: Oh, who healing the pain/Johannes Brahms
Hoffmann’s stories: Barcarole/(Offenbach)
Fidelio: Choir of prisoners, finale 1 act; O what lust! Easily raise the breath in open air/(Beethoven)
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