Listeners · Last.fm
- Listeners
- 1
- Total plays
- 1
<a href="https://www.last.fm/music/Friedrich+Plaschke">Read more on Last.fm</a>
Wikidata facts
- Instance of
- human
- Given name
- Bedřich
- Gender
- male
- Citizenship
- Germany
- Place of birth
- Jaroměř
- Place of death
- Prague
- Occupation
- painter
- Languages spoken
- Czech
- Instrument
- voice
- Image
- Bedřich Plaške (1875-1952).jpg
- Voice type
- bass-baritone
Show 5 more facts
- date of birth
- 1875-01-07
- date of death
- 1952-02-04
- Commons category
- Bedřich Plaške
- place of burial
- Malvazinky Cemetery
- Commons Creator page
- Friedrich Plaschke
via Wikidata · CC0
Works in European collections
16 objects attributed to Friedrich Plaschke, held across European museums, libraries & archives · via Europeana
Duet from “Die Dudes Geschicke”: In this solemn hour/(Verdi)
![Duell-Terzett: aus “Margarethe”/[Musik: Charles François Gounod]](https://api.europeana.eu/thumbnail/v2/url.json?uri=http%3A%2F%2Fmedia.slub-dresden.de%2Ffon%2Fsnp%2Fa%2F024271%2Ffon_snp_a_024271_02.jpg&type=IMAGE)
Duell-Terzett: aus “Margarethe”/[Musik: Charles François Gounod]
Drinking song from “Cavalleria Rusticana”/Mascagni
Duet from “Bohème”: O Beloved, never do you return to me/(Puccini)
Valentine’s prayer, from “Faust”/von Gounod
Duet from “Bohème”: O Beloved, never do you return to me/(Puccini)
Duet from “Die Dudes Geschicks”: In this solemn hour/(Verdi)
![To you leads me, from “Aida”: [Duett Amonasro - Aida, 3rd act]/by Verdi](https://api.europeana.eu/thumbnail/v2/url.json?uri=http%3A%2F%2Fmedia.slub-dresden.de%2Ffon%2Fsnp%2Fa%2F007723%2Ffon_snp_a_007723_01.jpg&type=IMAGE)
To you leads me, from “Aida”: [Duett Amonasro - Aida, 3rd act]/by Verdi
You my soul, you my heart
Duet between Evchen and Hans Sachs: aus “Mastersinger” II. Nude; I. Teil (“Gut 'n Evening, Meister”), II part (“Yes, Yes! You thought it up nicely”)/by R. Wagner
Duet between Evchen and Hans Sachs: aus “Mastersinger” II. Nude; I. Teil (“Gut 'n Evening, Meister”), II part (“Yes, Yes! You thought it up nicely”)/by R. Wagner
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