Skip to content
EntityQ201359· pop 18· linked from 321 articles

George Perle

Sign in to save

American composer (1915–2009)

Person · Open Library

Born
1915
Works
42

Top works

  • The listening composer
  • Phantasyplay
  • Concerto no. 2 for piano and orchestra
  • Quintet for winds no. 3 (1967)
  • Lyric piece

via Open Library + Wikidata

Music · MusicBrainz

Type
Group
Origin
Germany

via MusicBrainz · CC0

Listeners · Last.fm

Listeners
798
Total plays
8,658

Tags

contemporary classicalcomposeramericanClassical20th Century

George Perle (born May 6, 1915 in Bayonne, New Jersey; died January 23, 2009 in Manhattan) is a composer and music theorist. A student of Ernst Krenek, Perle composes with a technique of his own devising called "twelve-tone tonality," which is different from, but related to, twelve-tone technique (Perle, 1992). Perle's former student Paul Lansky describes it thus: "Basically this creates a hierarchy among the notes of the chromatic scale so that they <a href="https://www.last.fm/music/George+Per

via Last.fm · George Perle

Recent publications · Crossref

5 total works indexed

  1. A short history of<i>SHELX</i>

    · 2007 · cited 79,651x

  2. Bias in meta-analysis detected by a simple, graphical test

    · 1997 · cited 47,778x

  3. Crystal structure refinement with<i>SHELXL</i>

    · 2015 · cited 40,049x

  4. <i>SHELXT</i>– Integrated space-group and crystal-structure determination

    · 2015 · cited 26,949x

  5. A new and rapid colorimetric determination of acetylcholinesterase activity

    · 1961 · cited 23,020x

via Crossref · CC0

Quotes

  • His partitioning of the octave in the first ten bars places Varèse with Scriabin and the Schoenberg circle among the revolutionary composers whose work initiates the beginning of a new mainstream tradition in the music of our century.
  • I would not want you to suppose that my rejection of Allen Forte's theory of pitch-class sets implies a rejection of the notion that there can be such a thing as a pitch-class set. It is only when one defines everything in terms of pitch-class sets that the concept becomes meaningless.
  • This intersecting of inherently non-symmetrical diatonic elements with inherently non-diatonic symmetrical elements seems to me the defining principle of the musical language of Le Sacre and the source of the unparalleled tension and conflicted energy of the work.
  • Every bit of theorizing I’ve ever done, including my interest in Berg, has come as a consequence of discoveries I made as a composer and interests that I developed as a composer. I never thought of my theory as being a kind of irrelevant activity to my composing.

via Wikiquote · CC BY-SA

Wikidata facts

Official website
www.georgeperle.net
Show 2 more facts
date of birth
1915-05-06
date of death
2009-01-23
Sources (8)

via Wikidata · CC0

Connections

Categories