George Perle
Sign in to saveAmerican composer (1915–2009)
Person · Open Library
- Born
- 1915
- Works
- 42
Top works
- The listening composer
- Phantasyplay
- Concerto no. 2 for piano and orchestra
- Quintet for winds no. 3 (1967)
- Lyric piece
via Open Library + Wikidata
Music · MusicBrainz
- Type
- Group
- Origin
- Germany
Discography
- Perle°1999
- Perle° & die soften Schwestern2001
- Perle° kommt2007
via MusicBrainz · CC0
Listeners · Last.fm
- Listeners
- 798
- Total plays
- 8,658
Tags
George Perle (born May 6, 1915 in Bayonne, New Jersey; died January 23, 2009 in Manhattan) is a composer and music theorist. A student of Ernst Krenek, Perle composes with a technique of his own devising called "twelve-tone tonality," which is different from, but related to, twelve-tone technique (Perle, 1992). Perle's former student Paul Lansky describes it thus: "Basically this creates a hierarchy among the notes of the chromatic scale so that they <a href="https://www.last.fm/music/George+Per
Recent publications · Crossref
5 total works indexed
- A short history of<i>SHELX</i>
· 2007 · cited 79,651x
- Bias in meta-analysis detected by a simple, graphical test
· 1997 · cited 47,778x
- Crystal structure refinement with<i>SHELXL</i>
· 2015 · cited 40,049x
- <i>SHELXT</i>– Integrated space-group and crystal-structure determination
· 2015 · cited 26,949x
- A new and rapid colorimetric determination of acetylcholinesterase activity
· 1961 · cited 23,020x
via Crossref · CC0
Quotes
- “His partitioning of the octave in the first ten bars places Varèse with Scriabin and the Schoenberg circle among the revolutionary composers whose work initiates the beginning of a new mainstream tradition in the music of our century.”
- “I would not want you to suppose that my rejection of Allen Forte's theory of pitch-class sets implies a rejection of the notion that there can be such a thing as a pitch-class set. It is only when one defines everything in terms of pitch-class sets that the concept becomes meaningless.”
- “This intersecting of inherently non-symmetrical diatonic elements with inherently non-diatonic symmetrical elements seems to me the defining principle of the musical language of Le Sacre and the source of the unparalleled tension and conflicted energy of the work.”
- “Every bit of theorizing I’ve ever done, including my interest in Berg, has come as a consequence of discoveries I made as a composer and interests that I developed as a composer. I never thought of my theory as being a kind of irrelevant activity to my composing.”
via Wikiquote · CC BY-SA
Wikidata facts
- Official website
- www.georgeperle.net
Show 2 more facts
- date of birth
- 1915-05-06
- date of death
- 2009-01-23
Sources (8)
via Wikidata · CC0