Skip to content
EntityQ215461· pop 25· linked from 380 articles

Hans Hofmann

Sign in to save

Also known as Hans Georg Albert Hofmann, Johann Georg Albert Hofmann, Johann Hofmann, Hans Hoffman, Hofmann

German-American painter (1880–1966)

In the Vinony graph

Within Vinony's link graph, Hans Hofmann is referenced by 380 other articles, and connects out to aesthetics, OCLC, Inc. and New York City.

It is catalogued under topics including 1880 births, 1966 deaths and 20th-century American male artists.

Its subject is documented across 22 Wikipedia language editions.

Person · Open Library

Works
24

Top works

  • Geschichte und Politik
  • Die ausservertragliche haftung des staates und der körperschaften des öffentlichen rechts für pflichtverletzungen ihrer organe bei ausübung hoheitlicher gewalt und bei betätigung im privatrechtlichen kreise in der rechtsprechung des reichsgerichts und die möglichkeiten einer abgrenzung dieser beiden haftungsgebiete gegeneinander
  • 800 Jahre Pottenstetten
  • Gedichte, Reden, Sinnsprüche
  • Immortality or life

via Open Library + Wikidata

Music · MusicBrainz

Type
Person
Country
DE
Active from
1966-01-28

via MusicBrainz · CC0

Listeners · Last.fm

Listeners
7
Total plays
12

<a href="https://www.last.fm/music/Hans+Hofmann">Read more on Last.fm</a>

via Last.fm · Hans Hofmann

Quotes

  • Art is magic. So say the surrealists. But how is it magic? In its metaphysical development? Or does some final transformation culminate in a magic reality? In truth, the latter is impossible without the former. If creation is not magic, the outcome cannot be magic. To worship the product and ignore its development leads to dilettantism and reaction. Art cannot result from sophisticated, frivolous, or superficial effects.
  • This two-way transformation proceeds from metaphysical perceptions, for metaphysics is the search for the essential nature of reality. And so artistic creation is the metamorphosis of the external physical aspects of a thing into a self-sustaining spiritual reality. Such is the magic act which takes place continuously in the development of a work of art. On this and only on this is creation based.
  • Depth, in a pictorial, plastic sense, is not created by the arrangement of objects one after another toward a vanishing point, in the sense of the Renaissance perspective, but on the contrary (and in absolute denial of this doctrine) by the creation of forces in the sense of push and pull. Nor is depth created by tonal gradation (another doctrine of the academician which, at its culmination, degraded the use of color to a mere function of expressing dark and light).
  • Just as counterpoint and harmony follow their own laws, and differ in rhythm and movement, both formal tensions and color tensions have a development of their own in accordance with the inherent laws from which they are separately derived. Both, however, aim toward the realization of the same image. And both deal with the depth problem.
  • It is the greatest injustice done to Mondrian that people who are plastically blind see only decorative design instead of the plastic perfection which characterizes his work. The whole De Stijl group from which Mondrian's art was derived must be considered a protest against such blindness.
  • The physical carrier is overshadowed by a relation. The relation creates an overtone. The physical carrier is absorbed by this overtone. The overtone spontaneously transforms the means of creation into a spiritual reality. The mystery of creation is then revealed.

via Wikiquote · CC BY-SA

Wikidata facts

Image
Provincetown School Exterior, 1941 Hans Hofmann Archives of American Art Smithsonian Institution.jpg
Show 4 more facts
name in native language
Hans Hofmann
date of birth
1880-01-01
date of death
1966-01-01
P8168
Cygnus
Sources (11)

via Wikidata · CC0

Works in European collections

17 objects attributed to Hans Hofmann, held across European museums, libraries & archives · via Europeana

Connections

Categories