Ivanhoé is an 1826 pastiche opera in three acts with music by Gioachino Rossini to a French-language libretto by Émile Deschamps and Gabriel-Gustave de Wailly, after Walter Scott's 1819 novel of the same name. The music was adapted, with the composer's permission, by the music-publisher Antonio Pacini from Rossini's operas, namely Semiramide, La Cenerentola, La gazza ladra, and Tancredi in order to introduce his music to Paris. An examination of the score shows that Pacini also used music from Bianca e Faliero, Armida, Maometto II, Aureliano in Palmira, Sigismondo, Torvaldo e Dorliska, Mosè in
Ivanhoé is an 1826 pastiche opera in three acts with music by Gioachino Rossini to a French-language libretto by Émile Deschamps and Gabriel-Gustave de Wailly, after Walter Scott's 1819 novel of the same name. The music was adapted, with the composer's permission, by the music-publisher Antonio Pacini from Rossini's operas, namely Semiramide, La Cenerentola, La gazza ladra, and Tancredi in order to introduce his music to Paris. An examination of the score shows that Pacini also used music from Bianca e Faliero, Armida, Maometto II, Aureliano in Palmira, Sigismondo, Torvaldo e Dorliska, Mosè in Egitto and an amount of newly composed music including fanfares and the gallop that was later to become famous from its inclusion in Guglielmo Tell. The work was premiered on 15 September 1826, at the Odéon Theatre.
It was performed in England in 1829 as The Maid of Judah with music arranged by Michael Rophino Lacy who also translated and revised the original libretto by Deschamps and de Wailly. The Lacy version was also performed in New York at the Park Theatre in 1832. The first performance of Ivanhoé in modern times was given at the Festival della Valle d'Itria in 2001.
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