Kabarett (; from French cabaret = tavern) is satirical revue, a form of cabaret which was developed in France by Rodolphe Salis in 1881 as the cabaret artistique. It was named Le Chat Noir and was centered on political events and satire. It later inspired creation of Kabarett venues in Germany from 1901, with the creation of Berlin's Überbrettl venue and in Austria with the creation of the Jung-Wiener Theater zum lieben Augustin housed in the Theater an der Wien. By the Weimar era in the mid-1920s it was characterized by political satire and gallows humor. It shared the characteristic atmosphe
Kabarett (; from French cabaret = tavern) is satirical revue, a form of cabaret which was developed in France by Rodolphe Salis in 1881 as the cabaret artistique. It was named Le Chat Noir and was centered on political events and satire. It later inspired creation of Kabarett venues in Germany from 1901, with the creation of Berlin's Überbrettl venue and in Austria with the creation of the Jung-Wiener Theater zum lieben Augustin housed in the Theater an der Wien. By the Weimar era in the mid-1920s it was characterized by political satire and gallows humor. It shared the characteristic atmosphere of intimacy with the French cabaret from which it was imported, but the gallows humor was a distinct German aspect.
==Difference from other forms== Kabarett is the German word for the French word cabaret but has two different meanings. The first meaning is the same as in English, describing a form of entertainment featuring comedy, song, dance, and theatre (often the word "cabaret" is used in German for this as well to distinguish this form). The latter describes a kind of political satire. Unlike comedians who make fun of all kinds of things, Kabarett artists () pride themselves as dedicated almost completely to political and social topics of more serious nature which they criticize using techniques like cynicism, sarcasm and irony.
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