
thumb|Grand Central Terminal in New York City is shown several times in the film.
Takes us to locations all around the US and shows us the heavy toll that modern technology is having on humans and the earth. The visual tone poem contains neither dialogue nor a vocalized narration: its tone is set by the juxtaposition of images and the exceptional music by Philip Glass.
Cast
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thumb|Grand Central Terminal in New York City is shown several times in the film.
Koyaanisqatsi is a 1982 American non-narrative documentary film directed and produced by Godfrey Reggio, featuring music by Philip Glass and cinematography by Ron Fricke. Described as an "essay in images and sound on the state of American civilization", the film comprises a montage of stock footage, slow motion, and time-lapse visuals of natural and urban environments across the United States. Following its premieres at the Telluride and New York Film Festivals in 1982, it began a limited theatrical release the next year. Produced on a budget of $2.5 million, the film grossed $3.2 million at the box office, and was one of the highest-grossing documentaries of the 1980s.
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Discovered by embedding cosine similarity (sentence-transformers MiniLM, 384-dim).