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Lorenzo Da Ponte

File:Lorenzo_da_Ponte.jpg · Wikimedia Commons · See Wikimedia Commons

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Lorenzo Da Ponte

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Also known as Da Ponte, Emanuele Conegliano

Italian opera librettist, poet and Roman Catholic priest (1749–1838)

AI overview

Lorenzo Da Ponte was an Italian poet and Catholic priest who wrote the words (librettos) for some of the world's most famous operas during the 18th century. He is remembered as one of the greatest librettists in opera history, particularly for his collaborations with composer Wolfgang Amadeus Mozart on works that are still performed and beloved today.

AI-generated from the Wikipedia summary — may contain errors.

In the Vinony graph

Vinony's link graph records 394 inbound references to Lorenzo Da Ponte, and connects out to Wolfgang Amadeus Mozart, Catholic Church and Marie Antoinette.

It is catalogued under topics including 1749 births, 1838 deaths and 18th-century American musicians.

Vinony links it to 44 Wikipedia language editions.

Person · Open Library

Born
1749
Died
1838
Works
167

Top works

  • The marriage of Figaro
  • Mémoires d'un coureur d'aventures, Laurenzo d'Aponte
  • [La cosa rara]
  • Songs, duets, trios, chorusses &c. in The siege of Belgrade
  • Cosi fan tutte, ossia, La scuola degli amanti

via Open Library + Wikidata

Music · MusicBrainz

Type
Person
Gender
Male
Origin
Italy
Active from
1749
Active to
1838

Discography

via MusicBrainz · CC0

Listeners · Last.fm

Listeners
566
Total plays
2,354

Tags

mozartoperaconductor

Lorenzo Da Ponte (10 March 1749 - 17 August 1838) was a Venetian opera librettist and poet. He wrote the librettos for 28 operas by 11 composers, including three of Mozart's greatest operas, Don Giovanni, The Marriage of Figaro and Così fan tutte. European career: Lorenzo Da Ponte was born Emanuele Conegliano in Ceneda, in the Republic of Venice (now Vittorio Veneto, Italy). He was Jewish by birth. His parents were Geremia Conegliano and Rachele Pincherle. <a href="https://www.last.fm/music/Lor

via Last.fm · Lorenzo Da Ponte

Key facts

Born
Emanuele Conegliano , ( 1749-03-10 ) March 10, 1749, Ceneda , Republic of Venice
Died
August 17, 1838 (1838-08-17) (aged 89), New York City , U.S.
Resting place
Calvary Cemetery (Queens)
Occupations
librettist poet professor priest
Years active
1770–1838
Partner
Nancy Grahl
Father
Geronimo Conegliano

via Wikipedia infobox

Wikidata facts

Instance of
human
Given name
Lorenzo
Gender
male
Place of birth
Vittorio Veneto
Place of death
New York City
Occupation
songwriter
Languages spoken
Venetian
Image
Lorenzo da Ponte.jpg
Residence
New York City
Show 10 more facts
Commons category
Lorenzo Da Ponte
date of birth
1749-03-10
date of death
1838-08-17
described by source
The Catholic Encyclopedia
birth name
Lorenzo Da Ponte
name in native language
Lorenzo Da Ponte
writing language
Venetian
pseudonym
Lesbonico Pegasio
Sources (10)

via Wikidata · CC0

Works in European collections

33 objects attributed to Lorenzo Da Ponte, held across European museums, libraries & archives · via Europeana

Don Juan [Música notada]: Opera buffa in 2 Acten

Don Juan [Música notada]: Opera buffa in 2 Acten

Don Juan : Oper in zwei Aufzügen; vollständiges Buch

Don Juan : Oper in zwei Aufzügen; vollständiges Buch

Memoirs of Lorenzo Da Ponte [Printed Text]

Memoirs of Lorenzo Da Ponte [Printed Text]

Horch on the sound of the zither: from “Don Juan”/(W. A. Mozart)

Horch on the sound of the zither: from “Don Juan”/(W. A. Mozart)

Terzett from Don Juan: “O Herz, stop 'to bat”/[W. A. Mozart]

Terzett from Don Juan: “O Herz, stop 'to bat”/[W. A. Mozart]

Tränen, vom Freunde getrocknet : ("Don Juan") / (Mozart)

Tränen, vom Freunde getrocknet : ("Don Juan") / (Mozart)

“Yours, the shoots”: Arie des Cherubin aus: “Figaro’s Wedding”/(Mozart)

“Yours, the shoots”: Arie des Cherubin aus: “Figaro’s Wedding”/(Mozart)

Champagne song from “Don Juan”/by Mozart

Champagne song from “Don Juan”/by Mozart

Letter duet a. “Figaro’s Wedding”/(Mozart)

Letter duet a. “Figaro’s Wedding”/(Mozart)

Champagnerlied aus Don Juan : [Auf denn zum Feste, froh soll es werden ; Champagnerlied des Giovanni a. d. Oper "Don Giovanni", 1. Akt]

Champagnerlied aus Don Juan : [Auf denn zum Feste, froh soll es werden ; Champagnerlied des Giovanni a. d. Oper "Don Giovanni", 1. Akt]

Champagne song: from “Don Juan”/(W. A. Mozart)

Champagne song: from “Don Juan”/(W. A. Mozart)

Horch on the sound of the zither: from “Don Juan”/by Mozart

Horch on the sound of the zither: from “Don Juan”/by Mozart

Tränen, vom Freund getrocknet : aus "Don Juan" / von Mozart

Tränen, vom Freund getrocknet : aus "Don Juan" / von Mozart

Give my hand my life: a. “Don Juan”/[W. A. Mozart]

Give my hand my life: a. “Don Juan”/[W. A. Mozart]

“Cosi fan tutte” (Act 1): Trio: La mia Dorabella (Suspect Dorabella?); Recit.: Fuor la spada! Trio: E la fede delle femine (Find a maiden constant ever?)/(Da Ponte - Mozart)

“Cosi fan tutte” (Act 1): Trio: La mia Dorabella (Suspect Dorabella?); Recit.: Fuor la spada! Trio: E la fede delle femine (Find a maiden constant ever?)/(Da Ponte - Mozart)

Give my hand my life: a. “Don Juan”/[W. A. Mozart]

Give my hand my life: a. “Don Juan”/[W. A. Mozart]

Don Juan: Duet of Don Juan and the Zerline “Reich me the Hand my Life”/(Mozart)

Don Juan: Duet of Don Juan and the Zerline “Reich me the Hand my Life”/(Mozart)

If you are fine pious: from “Don Juan”/(Mozart)

If you are fine pious: from “Don Juan”/(Mozart)

New joys, new pains: a. “Figaro’s Wedding”/[W. A. Mozart]

New joys, new pains: a. “Figaro’s Wedding”/[W. A. Mozart]

Mein Herz was soll dein Zagen : Terzett aus "Don Juan"; 2. Akt / (Mozart)

Mein Herz was soll dein Zagen : Terzett aus "Don Juan"; 2. Akt / (Mozart)

“O säume no longer”: aus: “Figaro’s Wedding”/(Mozart)

“O säume no longer”: aus: “Figaro’s Wedding”/(Mozart)

So lange habe ich geschmachtet : Duett aus "Figaro's Hochzeit" / [W. A. Mozart]

So lange habe ich geschmachtet : Duett aus "Figaro's Hochzeit" / [W. A. Mozart]

Duett aus "Don Juan" : (Fröhlich sei mein Abendessen) / (Mozart)

Duett aus "Don Juan" : (Fröhlich sei mein Abendessen) / (Mozart)

Cavatine from “Freischütz”: [“Und ob die Wolke verschülle” (“Freischütz”), cavatine der Agathe, 3rd act]

Cavatine from “Freischütz”: [“Und ob die Wolke verschülle” (“Freischütz”), cavatine der Agathe, 3rd act]

New joys, new pains: from “Figaro’s Wedding”/[W. A. Mozart]

New joys, new pains: from “Figaro’s Wedding”/[W. A. Mozart]

"Cosi fan tutte" (Akt 1) : Recit.: Scioccherie di poeti! (A poetical fiction!) ; Trio: Una bella (To my lady) / (Da Ponte - Mozart)

"Cosi fan tutte" (Akt 1) : Recit.: Scioccherie di poeti! (A poetical fiction!) ; Trio: Una bella (To my lady) / (Da Ponte - Mozart)

Smiths, tobe: from “Don Juan”/(Mozart)

Smiths, tobe: from “Don Juan”/(Mozart)

Arie des Cherubin: "Ihr, die ihr Triebe" : aus "Figaro's Hochzeit" / (Mozart)

Arie des Cherubin: "Ihr, die ihr Triebe" : aus "Figaro's Hochzeit" / (Mozart)

Don Juan: Arie of Zerline/(Mozart)

Don Juan: Arie of Zerline/(Mozart)

Arie a. Don Juan: “Horch on the sound of the zither” [Standing of the Giovanni from the opera “Don Giovanni,” 2nd act]/[Music: Wolfgang Amadeus] Mozart. [Text: Lorenzo da Ponte]

Arie a. Don Juan: “Horch on the sound of the zither” [Standing of the Giovanni from the opera “Don Giovanni,” 2nd act]/[Music: Wolfgang Amadeus] Mozart. [Text: Lorenzo da Ponte]

Figaro’s Wedding: Arie des Pagen/(Mozart)

Figaro’s Wedding: Arie des Pagen/(Mozart)

Wie schön ist die Liebe : aus "Cosi fan tutte" / von Mozart

Wie schön ist die Liebe : aus "Cosi fan tutte" / von Mozart

Don Juan. Opera buffa in 2 Acten von Lorenzo da Ponte
Klavierauszug

Don Juan. Opera buffa in 2 Acten von Lorenzo da Ponte Klavierauszug

~19 min read

Encyclopedic overview

Lorenzo Da Ponte (né Emanuele Conegliano; 10 March 1749 – 17 August 1838) was an Italian and American librettist, poet and Roman Catholic priest. He wrote the libretti for 28 operas by 11 composers, including three of Mozart's most celebrated operas: The Marriage of Figaro (1786), Don Giovanni (1787), and Così fan tutte (1790).

He was the first professor of Italian literature at Columbia University, and with Manuel Garcia, the first to introduce Italian opera to America. Aside from his relationship with Mozart, Da Ponte was also a close friend of Casanova.

Excerpted from Wikipedia’s “Lorenzo Da Ponte” article, available under the CC BY-SA 4.0 licence.

Gallery (11)

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