Muqi
Sign in to savethumb|Muqi, Detail of dusk over fisher's village, from the handscroll "Eight Views of Xiaoxiang|Eight Views of Xiao and Xiang", circa 1250, Collected in Nezu Art Museum
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5 total works indexed
- Effects of soil conservation techniques on water erosion control: A global analysis
· 2018 · cited 193x
- PCDD/F, PAH and heavy metals in the sewage sludge from six wastewater treatment plants in Beijing, China
· 2007 · cited 180x
- Effect of microwave irradiation-retrogradation treatment on the digestive and physicochemical properties of starches with different crystallinity
· 2019 · cited 140x
- Nanosheet-Structured Boron Nitride Spheres with a Versatile Adsorption Capacity for Water Cleaning
· 2015 · cited 133x
- A global comparison of soil erosion associated with land use and climate type
· 2019 · cited 116x
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Article
11 sectionsContents
- Biography
- Paintings attributed to Muqi
- The Triptych: ''Guanyin, Crane, and Gibbons''
- ''Six Persimmons''
- Muqi's reception in China and Japan
- Works by Muqi
- References
- Bibliography
- Books
- Dissertations
- External links
thumb|Muqi, Detail of dusk over fisher's village, from the handscroll "Eight Views of Xiaoxiang|Eight Views of Xiao and Xiang", circa 1250, Collected in Nezu Art Museum
Muqi or Muxi (; Japanese: Mokkei; 1210?–1269?), also known as Fachang (), was a Chinese Chan Buddhist monk and painter who lived in the 13th century, around the end of the Southern Song dynasty (1127–1279). Today, he is considered to be one of the greatest Chan painters in history. His ink paintings, such as the Daitokuji triptych and Six Persimmons are regarded as essential Chan paintings. Muqi's style of painting has also profoundly impacted painters from later periods to follow, especially monk painters in Japan.