File:Naqsh-e_Rustam_necropolis_in_Iran.jpg · Wikimedia Commons · See Wikimedia Commons
Naqsh-e Rustam
Sign in to saveAlso known as Naghsh-e Rostam, Naghsh-e Rustam, Naghsh-i Rustam, Naqsh-e Rostam, Naqsh-i Rustam
necropolis in Fars Province, Iranian national heritage site
Key facts
- Location
- Marvdasht , Fars province
- Region
- Iran
- Type
- Necropolis
- Periods
- Achaemenian , Sassanian
- Cultures
- Persian
- Management
- Cultural Heritage, Handicrafts and Tourism Organization of Iran
- Architectural styles
- Persian
via Wikipedia infobox
Wikidata facts
- Instance of
- cultural property
- Country
- Iran
- Located in
- Marvdasht County
- Image
- The Islamic Republic 049 (8498647398).jpg
- Has use
- monument
Show 8 more facts
- Commons category
- Naqsh-e Rustam
- topic's main category
- Category:Naqsh-e Rustam
- Commons gallery
- نقش رستم
- heritage designation
- Iranian National Heritage
- native label
- نقش رستم
- directions
- شهرستان سقز، ۱۸ کیلومتری شمال شرقی دهستان گل تپه، روستای کوجه طلا
- P8168
- kokeshi
- time period
- Achaemenid Empire
via Wikidata · CC0
~11 min read
Encyclopedic overview
Naqsh-e Rostam (Persian: نقش رستم, lit. 'Mural of Rostam', Persian: [ˌnæɣʃeɾosˈtæm]) is an ancient archeological site and necropolis located about 13 km northwest of Persepolis, in Fars province, Iran. A collection of ancient Iranian rock reliefs are cut into the face of the mountain and the mountain contains the final resting place of four Achaemenid kings, notably king Darius the Great and his son, Xerxes. This site is of great significance to the history of Iran and to Iranians, as it contains various archeological sites carved into the rock wall through time for more than a millennium from the Elamites and Achaemenids to the Sasanians. It lies a few hundred meters from Naqsh-e Rajab, with a further four Sasanian rock reliefs, three celebrating kings and one a high priest.
Naqsh-e Rostam is the necropolis of the Achaemenid dynasty (c. 550–330 BC), with four large tombs cut high into the cliff face. These have mainly architectural decoration, but the facades include large panels over the doorways, each very similar in content, with figures of the king being invested by a god, above a zone with rows of smaller figures bearing tribute, with soldiers and officials. The three classes of figures are sharply differentiated in size. The entrance to each tomb is at the center of each cross, which opens onto a small chamber, where the king lay in a sarcophagus.
Excerpted from Wikipedia’s “Naqsh-e Rustam” article, available under the CC BY-SA 4.0 licence.