The was an influential medieval Buddhist text composed in 985 by the Japanese Buddhist monk Genshin. The text is a comprehensive analysis of Buddhist practices related to rebirth in the Pure Land of Amida Buddha, drawing upon earlier Buddhist texts from China, and sutras such as the Contemplation Sutra. Genshin advocated a collection of mutually supportive practices, such as sutra recitation, centered around visual meditation of Amitabha Buddha where later Pure Land sects favored an approach that relied on exclusive recitation of the verbal nembutsu. The text is also well known for its graphic
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The was an influential medieval Buddhist text composed in 985 by the Japanese Buddhist monk Genshin. The text is a comprehensive analysis of Buddhist practices related to rebirth in the Pure Land of Amida Buddha, drawing upon earlier Buddhist texts from China, and sutras such as the Contemplation Sutra. Genshin advocated a collection of mutually supportive practices, such as sutra recitation, centered around visual meditation of Amitabha Buddha where later Pure Land sects favored an approach that relied on exclusive recitation of the verbal nembutsu. The text is also well known for its graphic descriptions of the Hell realms, and sufferings one might endure for harmful acts committed in this life. Its influence can be seen in Japanese Buddhist paintings and other, later, texts. The founder of Jōdo Shinshū Buddhism, Shinran, wrote an influential commentary on the Ōjōyōshū titled, "Notes on Essentials of Rebirth", while Hōnen first encountered Pure Land teachings after studying Genshin's writings.
In 986, a copy was sent to China at Genshin's request and was reportedly deposited at Guoqingsi Temple on Mount Tiantai some time before 990.
Discovered by embedding cosine similarity (sentence-transformers MiniLM, 384-dim).