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Oviri
Sign in to savethumb|upright=1.3|Paul Gauguin, Oviri (Sauvage), 1894, partially glazed stoneware, 75 × 19 × 27 cm (29.5 × 7.5 × 10.6 in), [[Musée d'Orsay, Paris]]
Wikidata facts
- Image
- Paul Gauguin, 1894, Oviri (Sauvage), partially glazed stoneware, 75 x 19 x 27 cm, Musée d'Orsay, Paris.jpg
- Height
- 75
- Width
- 19
Show 4 more facts
- Commons category
- Oviri
- inception
- 1894-01-01
- inventory number
- OAO 1114
- IIIF manifest URL
- iiif.musee-orsay.fr/Manifester/IIIF/3/objects!19409/manifest.json
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~22 min read
Article
12 sectionsContents
- Background
- Description and sources
- Interpretation
- Tahiti deity
- Self portrait
- Reception and influence
- Recent exhibitions
- Sources
- Notes
- References
- Bibliography
- External links
thumb|upright=1.3|Paul Gauguin, Oviri (Sauvage), 1894, partially glazed stoneware, 75 × 19 × 27 cm (29.5 × 7.5 × 10.6 in), [[Musée d'Orsay, Paris]]
Oviri (Tahitian for savage or wild) is an 1894 ceramic sculpture by the French artist Paul Gauguin. In Tahitian mythology, Oviri was the goddess of mourning and is shown with long pale hair and wild eyes, smothering a wolf with her feet while clutching a cub in her arms. Art historians have presented multiple interpretations—usually that Gauguin intended it as an epithet to reinforce his self-image as a "civilised savage". Tahitian goddesses of her era had passed from folk memory by 1894, yet Gauguin romanticises the island's past as he reaches towards more ancient sources, including an Assyrian relief of a "master of animals" type and Majapahit mummies. Other possible influences include preserved skulls from the Marquesas Islands, figures found at Borobudur, and a 9th-century Mahayana Buddhist temple in central Java.
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