Parannoul
Sign in to saveParannoul (; born 2001) is a pseudonymous South Korean shoegaze musician. He has released four solo albums: ''Let's Walk on the Path of a Blue Cat (2020), To See the Next Part of the Dream (2021), After the Magic (2023) and Sky Hundred'' (2024).
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Parannoul (파란노을) is an anonymous one-man shoegaze/post-rock project from Seoul, South Korea. The artist behind the project describes himself as "just a student writing music in my bedroom." Others have described his music as raw and noisy, containing lyrical themes of self-hatred and introspection. Parannoul's first two albums, Let's Walk on the Path of a Blue Cat (2020) and To See the Next Part of the Dream (2021), were released through Bandcamp. <a href="https://www.last.fm/music/Parannoul">
Key facts
- Musical artist.name
- Parannoul
- Musical artist.image
- Parannoul in Pentaport Rock Festival 2024.png
- Musical artist.caption
- Parannoul performing at Pentaport Rock Festival 2024
- Musical artist.landscape
- yes
- Musical artist.origin
- Seoul, South Korea
- Musical artist.years_active
- 2017present
- Person.embed
- yes
- Person.signature
- Parannoul sig.svg
- Korean name/auto.hangul
- ^파란노을
via Wikipedia infobox
~6 min read
Encyclopedic overview
9 sectionsContents
- Career
- Music
- Discography
- Released under laststar
- Released under Parannoul
- Released under Mydreamfever
- Released under Huremic
- References
- External links
Parannoul (; born 2001) is a pseudonymous South Korean shoegaze musician. He has released four solo albums: ''Let's Walk on the Path of a Blue Cat (2020), To See the Next Part of the Dream (2021), After the Magic (2023) and Sky Hundred (2024).
Parannoul has collaborated with other shoegaze musicians like Asian Glow of South Korea and of Brazil, releasing the split album, Downfall of the Neon Youth (2021), and later the Paraglow EP in 2022. In 2024, he worked with the international rap group Fax Gang to make the album Scattersun.
Excerpted from Wikipedia’s “Parannoul” article, available under the CC BY-SA 4.0 licence.
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