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Robert Campin
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Dutch painter, first great master of Flemish and Early Netherlandish painting, 1375–1444 (1375–1444)
Recent publications · Crossref
5 total works indexed
- Development of the Colle-Salvetti correlation-energy formula into a functional of the electron density
· 1988 · cited 94,873x
- Hallmarks of Cancer: The Next Generation
· 2011 · cited 55,818x
- Research electronic data capture (REDCap)—A metadata-driven methodology and workflow process for providing translational research informatics support
· 2009 · cited 45,432x
- Regression Shrinkage and Selection Via the Lasso
· 1996 · cited 38,852x
- The PHQ-9
· 2001 · cited 38,234x
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Wikidata facts
Show 6 more facts
- date of birth
- 1375-01-01
- date of death
- 1444-04-26
- Commons category
- Robert Campin
- Commons Creator page
- Robert Campin
- Commons gallery
- Robert Campin
- described at URL
- artsandculture.google.com/entity/%2Fm%2F01t769
via Wikidata · CC0
Works in European collections
36 objects attributed to Robert Campin, held across European museums, libraries & archives · via Europeana
Bildnis eines Mannes
Die Verkündigung
Man of Sorrows
Die Verkündigung
Mary with the Child
Saint Barbara
Praying Christ
Seated Madonna
Anbetung der Könige
Portrait of a Woman
Holy Trinity
Bildnis des Robert de Masmines
Geburt Christi
The Virgin with the Donor
Madonna at the lawn bank
The Birth of Christ
Marriage of Mary
Szenen aus dem Leben des heiligen Joseph
John the Baptist and the Franciscan Heinrich von Werl
Mérode-Triptychon
Christ on the Cross
Jaël und Sisera
Untitled
Untitled
Untitled
Untitled
Untitled
Untitled
Untitled
Untitled
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Untitled
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Untitled
~11 min read
Article
Robert Campin (Valenciennes (France) c. 1375 - Tournai (Belgium) 26 April 1444) now usually identified with the Master of Flémalle (earlier the Master of the Merode Triptych, before the discovery of three other similar panels), was a master painter who, along with Jan van Eyck, initiated the development of early Netherlandish painting, a key development in the early Northern Renaissance.
While the existence of a highly successful painter called Robert Campin is relatively well documented for the period, no works can be certainly identified as by him through a signature or contemporary documentation. A group of paintings, none dated, have been long attributed to him, and a further group were once attributed to an unknown "Master of Flémalle". It is now usually thought that both groupings are by Campin, but this has been a matter of some controversy for decades.