Sophilos
Sign in to savethumb|260px|Sophilos' signature: "sofilos me grafsen" (“Sophilos painted me”) Sophilos (; active about 590 – 570 BC) was an Attic potter and vase painter in the black-figure style. Sophilos is the oldest Attic vase painter so far to be known by his true name. Fragments of two wine basins (dinoi) in Athens are signed by him, indicating that he both potted and painted them. In total, 37 vessels are ascribed to him, mostly amphorae, dinoi, kraters, as well as three pinakes. Apart from his work for the domestic market, he was also one of the masters of major significance in the process of su
Key facts
- Artist.name
- Sophilos
- Artist.image
- NAMA Attic black-figure amphora.JPG
- Artist.image_size
- 250px
- Artist.caption
- Attic black-figure amphora. Late work of the vase-painter, Sophilos, ca. 580 B.C. On the neck is Hermes, between Sphinxes. On the body are zones decorated with a winged Artemis, animals, florals, sphinxes, and geese. Found at Marathon, in the tumulus of the Athenians (490 B.C.).
- Artist.birth_name
- Sophilos
- Artist.birth_date
- Before 590 BC
- Artist.birth_place
- Probably Athens
- Artist.death_date
- Around 570 BC
- Artist.field
- Ceramics manufacturer and painter
- Artist.movement
- Black-figure style
- Artist.works
- 37 vessels are ascribed to him, mostly amphorae, '’dinoi’’, kraters, as well as three pinakes
via Wikipedia infobox
Wikidata facts
- Image
- NAMA Attic black-figure amphora.JPG
Show 4 more facts
- Commons category
- Sophilos
- date of birth
- 0600-00-00
- floruit
- 0600-00-00
- date of death
- 0600-00-00
Sources (1)
via Wikidata · CC0
~3 min read
Article
3 sectionsContents
- Works (selection)
- Bibliography
- See also
thumb|260px|Sophilos' signature: "sofilos me grafsen" (“Sophilos painted me”) Sophilos (; active about 590 – 570 BC) was an Attic potter and vase painter in the black-figure style. Sophilos is the oldest Attic vase painter so far to be known by his true name. Fragments of two wine basins (dinoi) in Athens are signed by him, indicating that he both potted and painted them. In total, 37 vessels are ascribed to him, mostly amphorae, dinoi, kraters, as well as three pinakes. Apart from his work for the domestic market, he was also one of the masters of major significance in the process of supplanting the dominance of Corinthian vase painting in the markets of Etruria, and Southern Italy, the most important export area for Greek vases. His works were exported as far as the Black Sea region, Syria and Egypt (Naukratis).
He was one of the first painters to use additional colours at a grand scale, thus increasing the optical and artistic distinction between Corinthian and Attic vase painting. While he was conservative and traditionalist in terms of the ornamentation and animal figures he used, his intervening figural scenes, mostly of mythological motifs, were entirely innovative. He broke up established standard scenes, had figures act individually, and found clever and unconventional new ways of structuring the narrative. As his artistic style progressed, he increasingly pushed ornamental designs into the margin, as his figural scenes became more and more important. Stylistically, his work is close to that of the late Gorgon Painter, whose style he developed further, to be continued later by Klitias, and culminate in the François vase.