AI overview
"Stalker" is a 1979 science fiction film by Russian director Andrei Tarkovsky that follows a guide leading two men through a mysterious zone to find a room that supposedly grants wishes. The film is considered a masterpiece of philosophical cinema, exploring themes of desire, faith, and human nature through its contemplative style and visual imagery.
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Film · TMDB
8.1Near a gray and unnamed city is the Zone, a place guarded by barbed wire and soldiers, and where the normal laws of physics are victim to frequent anomalies. A stalker guides two men into the Zone, specifically to an area in which deep-seated desires are granted.
Released: 1979-05-25162 minDir: Andrei TarkovskyScience Fiction, Drama
Cast
- Alisa Freyndlikh as Stalker's Wife
- Aleksandr Kaydanovskiy as Stalker
- Anatoliy Solonitsyn as Writer
- Mykola Hrynko as Professor
- Natalya Abramova as Marta
- Faime Jurno as Writer's Companion
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Key dates
- Published
- 25 May 1979
via Wikidata · CC0
Article
Stalker (Russian: Сталкер, IPA: [ˈstaɫkʲɪr]) is a 1979 Soviet science fantasy film directed by Andrei Tarkovsky with a screenplay written by Arkady and Boris Strugatsky, loosely based on their 1972 novel Roadside Picnic. The film tells the story of an expedition led by a figure known as the "Stalker" (Alexander Kaidanovsky), who guides his two clients—a melancholic writer (Anatoly Solonitsyn) and a professor (Nikolai Grinko)—through a hazardous wasteland to a mysterious restricted site known simply as the "Zone", where supposedly exists a room which grants a person's innermost desires. The film combines elements of science fiction and fantasy with dramatic, philosophical, and psychological themes.
The film was shot over a year on film stock that was later discovered to be unusable and had to be almost entirely reshot with a new cinematographer, Alexander Knyazhinsky. Stalker was released by Goskino in May 1979. Upon release, the film garnered praise in the Soviet and Warsaw Pact press, but only mixed reviews in the West. In later years it was recognised as one of the greatest films of all time. In the decennial critics' and directors' polls published by the British Film Institute's magazine Sight and Sound in 2022, Stalker placed 43rd and 14th, respectively. The film sold over 4 million tickets, mostly in the Soviet Union, against a budget of 1 million roubles.