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taepyeongso

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Also known as hojok, saenap, nallari, hojeok, tʻaepʻyŏngso, hojŏk, swaenap

thumb|Taepyeongso The taepyeongso (), also called hojok, hojeok 호적 號笛/胡笛, nallari, or saenap, 嗩吶, is a Korean double reed wind instrument in the shawm or oboe family. It is possibly descended from the Persian sorna and is closely related to the Chinese suona. It has a conical wooden body made from yuja (citron), daechu (jujube), or yellow mulberry wood, with a metal mouthpiece and cup-shaped metal bell. It originated during the Goryeo period (918–1392).

~32 min read

Encyclopedic overview

39 sections
Contents
  • Writings
  • English
  • Korean
  • History and classification
  • Names
  • Classification
  • Introduction to Korea
  • Distribution
  • Construction
  • Body of instrument
  • Reeds
  • Making a reed
  • Contexts
  • Royal processions
  • Rituals
  • Confucianism
  • Buddhism
  • Shamanism
  • ''Pungmul'' and associated contexts
  • New music and fusion
  • Repertoire
  • Tones and fingerings
  • Neunggye/Gyeongtori
  • Neunggye Gutgeori
  • Neunggye Jajinmori
  • Giltaryeong/Cheonsubara
  • Heoteuntaryong
  • Gutgeori
  • Yeombul/Heoncheonsu
  • Daechwita
  • Assorted Minyo-derived melodies
  • Sinawi
  • Menari
  • Notable players
  • See also
  • Notes and references
  • Footnotes
  • Notations
  • Korean notations

thumb|Taepyeongso The taepyeongso (), also called hojok, hojeok 호적 號笛/胡笛, nallari, or saenap, 嗩吶, is a Korean double reed wind instrument in the shawm or oboe family. It is possibly descended from the Persian sorna and is closely related to the Chinese suona. It has a conical wooden body made from yuja (citron), daechu (jujube), or yellow mulberry wood, with a metal mouthpiece and cup-shaped metal bell. It originated during the Goryeo period (918–1392).

The loud and piercing sound it produces has kept it confined mostly to Korean folk music (especially "farmer's band music") and to marching bands, the latter performed for royalty in the genre known as daechwita. It is, however, also used sparingly in other genres, including Confucian, Buddhist and Shamanist ritual musics, neo-traditional/fusion music and kpop, included in works such as "Lalalay" by Sunmi (2019).

Excerpted from Wikipedia’s “taepyeongso” article, available under the CC BY-SA 4.0 licence.

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