The Poor
Sign in to saveZavallılar is a 1974 Turkish film directed by Yılmaz Güney and written by Yılmaz Güney and Atıf Yılmaz. The cast includes Yılmaz Güney, Yıldırım Önal, Göktürk Güney, Hülya Şengül, Hakkı Güvenç, and Güven Şengil. It was produced by Güney Film.
Film · TMDB
6.3The semi-melodramatic story of three poor friends who met in prison where have been sent to on various offenses. These three friends do not want to get out when they are released. What are Abuzer, Haci and Arap going to do when they will be out? They have no one, no jobs... Apart from Haci and Arap, everything will be the same for Abuzer, who doesn't know where to go. He will still be alone, starving on the streets of the big city.
Released: 1975-03-0172 minDir: Atıf YılmazDrama
Cast
- Yılmaz Güney as Abuzer
- Göktürk Demirezen as Küçük Abu
- Güven Şengil as Arap
- Hakkı Kıvanç as Müşteri
- Yaşar Şener as Mahkum
- Orçun Sonat as Kapıcı Zatin
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Key dates
- Published
- 1 January 1975
via Wikidata · CC0
Wikidata facts
- Instance of
- film
- Genre
- drama film
- Country of origin
- Turkey
- Original language
- Turkish
- Director
- Atıf Yılmaz
- Screenwriter
- Atıf Yılmaz
- Cast member
- Yılmaz Güney
- Producer
- Yılmaz Güney
- Narrative location
- Turkey
- Duration
- +80
- FilmAffinity ID
Article
2 sectionsContents
- References
- External links
Zavallılar is a 1974 Turkish film directed by Yılmaz Güney and written by Yılmaz Güney and Atıf Yılmaz. The cast includes Yılmaz Güney, Yıldırım Önal, Göktürk Güney, Hülya Şengül, Hakkı Güvenç, and Güven Şengil. It was produced by Güney Film.
After Güney had begun to shoot the film, he was imprisoned for sheltering anarchist students at his home. The destiny of Zavallılar seemed to be similar to other unfinished films such as Sergei Eisenstein’s Que Viva Mexico! and Marilyn Monroe’s ''Something's Got to Give''. Güney planned to finish this film after his release, but as he wound up behind bars, he was unable to finish it. However, in the archives there were about 30 minutes of footage, and Atıf Yılmaz built upon this with fundamental changes in the scenario. Thus, Zavallılar has a reputation as being an “outer” film of the man from the “inside”.