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Walter Benjamin

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Walter Benjamin

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Also known as Walter Bendix Schönflies Benjamin

German cultural critic, philosopher and social critic (1892–1940)

OverviewAI-generated

Walter Benjamin (1892–1940) was a male figure associated with critical theory, philosophy, and audio books. He is also identified as a British composer from the United Kingdom, with genres including 20th century and classical music. Benjamin wrote under the pseudonyms "Benedix Schönflies" and "Detlev Holz."

His literary output includes works such as *Radical Thinkers Set 4*, *Correspondência*, *Berliner Kindheit um Neunzehnhundert*, *Poésie et révolution*, and *Mythe et violence*. One of his recorded quotes is, "I would like to metamorphose into a mouse-mountain."

Synthesized by Vinony from 24 facts across 7 sources: Wikidata, Last.fm, Crossref, Wikiquote, MusicBrainz, Open Library, Vinony graph. Generated from structured data (not the Wikipedia text) and checked against those facts — may still contain errors.

Person · Open Library

Born
15 July 1892
Died
27 September 1940
Works
406

Top works

  • Radical Thinkers Set 4
  • Correspondência
  • Berliner Kindheit um Neunzehnhundert
  • Poésie et révolution
  • Mythe et violence

via Open Library + Wikidata

Listeners · Last.fm

Listeners
2,506
Total plays
29,163

Tags

kritische theorieindieaudio bookphilosophyaudio

Similar artists

MintaThe WeathermanOs Capitães da AreiaO martimTrêsporcento

Walter Benjamin is a modern songwriter, just like the Modern Rock Song by Belle & Sebastian. He uses samplers and synths on his songs, along with a cheap acoustic guitar and a cheap sounding voice. Walter Benjamin was born in the spring, although he doesn't remember where. He is now a member of Goodbye Toulouse, the Lisbon based folk collective, where he plays synths and samplers. Walter Benjamin is actually a piano player although noone has ever seen him play the piano. <a href="https://www.last.fm/music/Walter+Benjamin">Read more on Last.fm</a>

via Last.fm · Walter Benjamin

Quotes

  • Nothing is so hateful to the philistine as the "dreams of his youth." ... For what appeared to him in his dreams was the voice of the spirit, calling him once, as it does everyone. It is of this that youth always reminds him, eternally and ominously. That is why he is antagonistic toward youth.
  • Because he never raises his eyes to the great and the meaningful, the philistine has taken experience as his gospel. It has become for him a message about life's commonness. But he has never grasped that there exists something other than experience, that there are values—inexperienceable—which we serve.
  • Jede Äußerung menschlichen Geisteslebens kann als eine Art der Sprache aufgefaßt werden, und diese Auffassung erschließt nach Art einer wahrhaften Methode überall neue Fragestellungen.
  • Zur Verknechtung der Sprache im Geschwätz tritt die Verknechtung der Dinge in der Narretei fast als deren unausbleibliche Folge.
  • I would like to metamorphose into a mouse-mountain.
  • Things are only mannequins and even the great world-historical events are only costumes beneath which they exchange glances with nothingness.

via Wikiquote · CC BY-SA

~40 min read

Encyclopedic overview

Walter Bendix Schönflies Benjamin (/ˈbɛnjəmɪn/ BEN-yə-min; German: [ˈvaltɐ ˈbɛnjamiːn] ; 15 July 1892 – 26 September 1940) was a German philosopher, cultural critic, media theorist, and essayist. An eclectic thinker who combined elements of German idealism, Jewish mysticism, Western Marxism, and post-Kantianism, he made contributions to the philosophy of history, metaphysics, historical materialism, criticism, and aesthetics, and had an oblique but overwhelmingly influential impact on the resurrection of the Kabbalah by virtue of his life-long epistolary relationship with Gershom Scholem.

In popular culture and left-wing journalism he often appears as an exemplar whose experience is representative of the tragedy of German Jewish intellectuals under Nazi Germany.

Excerpted from Wikipedia’s “Walter Benjamin” article, available under the CC BY-SA 4.0 licence.

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