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wayang
EntityQ1078316· pop 36· linked from 595 articles

Also known as wajang

thumb| performance by the famous Indonesian (puppet master) Manteb Soedharsono, with the story "Gathutkaca Winisuda", in [[Bentara Budaya Jakarta, Indonesia, on 31 July 2010]]

Key facts

Performing art.name
Wayang
Performing art.image
257px
Performing art.types
Traditional puppet theatre
Performing art.ancestor
Javanese people
Performing art.culture
Indonesia
Performing art.era
Hindu - Buddhist civilisations
Intangible heritage.ICH
Wayang puppet theatre
Intangible heritage.State Party
Indonesia
Intangible heritage.ID
00063
Intangible heritage.Region
APA
Intangible heritage.Year
2008
Intangible heritage.Session
3rd
Intangible heritage.List
Representative
Intangible heritage.Note
(the leather shadow puppet), (the flat wooden puppet), (the three-dimensional wooden puppet)

via Wikipedia infobox

Described at

Wayang puppet theatre - UNESCO Intangible Cultural Heritage

ich.unesco.org

Renowned for its elaborate puppets and complex musical styles, this ancient form of storytelling originated on the Indonesian island of Java. For ten centuries wayang flourished at the royal courts of Java and Bali as well as in rural areas. Wayang has spread to other islands (Lombok, Madura, Sumatra and Borneo) where various local performance styles and musical accompaniments have developed. While these carefully handcrafted puppets vary in size, shape and style, two principal types prevail: the three-dimensional wooden puppet (wayang klitik or golèk) and the flat leather shadow puppet (wayang kulit) projected in front of a screen lit from behind. Both types are characterized by costumes, facial features and articulated body parts. The master puppeteer (dalang) manipulates the swivelling arms by means of slender sticks attached to the puppets. Singers and musicians play complex melodies on bronze instruments and gamelan drums. In the past, puppeteers were regarded as cultivated literary experts who transmitted moral and aesthetic values through their art. The words and actions of comic characters representing the “ordinary person” have provided a vehicle for criticizing sensitive social and political issues, and it is believed that this special role may have contributed to wayang’s survival over the centuries. Wayang stories borrow characters from indigenous myths, Indian epics and heroes from Persian tales. The repertory and performance techniques were transmitted orally within the families of puppeteers, musicians and puppet-makers. Master puppeteers are expected to memorize a vast repertory of stories and to recite ancient narrative passages and poetic songs in a witty and creative manner. The Wayang Puppet Theatre still enjoys great popularity. However, to compete successfully with modern forms of pastimes such as video, television or karaoke, performers tend to accentuate comic scenes at the expense of the story line and to replace musical accompaniment with pop tunes, leading to the loss of some characteristic features.

Excerpt from a page describing this subject · 12,562 chars · not written by Vinony

Wikidata facts

Instance of
theatrical genre
Subclass of
puppetry
Country
Indonesia
Country of origin
Indonesia
Location
Gresik
Image
2 painted wayang puppets.jpg
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Commons gallery
Wayang
Commons category
Wayang
topic's main category
Category:Wayang
on focus list of Wikimedia project
Wikipedia:Vital articles/Level/4
Sources (2)

via Wikidata · CC0

~38 min read

Encyclopedic overview

29 sections
Contents
  • Etymology
  • History
  • Origin in India
  • Records
  • Art form
  • ''Wayang kulit''
  • ''Wayang golek''
  • ''Wayang klitik''
  • ''Wayang beber''
  • ''Wayang wong''
  • ''Wayang topeng''
  • Stories
  • ''Wayang purwa''
  • ''Wayang panji''
  • ''Wayang Menak''
  • ''Wayang kancil''
  • Contemporary retellings
  • Artist
  • Dalang
  • ''Sindhen''
  • ''Wiyaga''
  • Legacy
  • UNESCO designation
  • Wayang Museum
  • Gallery
  • See also
  • References
  • Further reading
  • External links

thumb| performance by the famous Indonesian (puppet master) Manteb Soedharsono, with the story "Gathutkaca Winisuda", in [[Bentara Budaya Jakarta, Indonesia, on 31 July 2010]]

'''' ( , ) is a traditional Javanese form of puppet theatre. The term refers both to the show as a whole and the puppet in particular. Performances of wayang puppet theatre are accompanied by a gamelan orchestra in Java, and by gender wayang in Bali. The dramatic stories depict mythologies, such as episodes from the Hindu epics the Ramayana and the Mahabharata'', as well as local adaptations of cultural legends. Traditionally, a is played out in a ritualized midnight-to-dawn show by a , an artist and spiritual leader; people watch the show from both sides of the screen.

Excerpted from Wikipedia’s “wayang” article, available under the CC BY-SA 4.0 licence.

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