wimple
Sign in to savethumb|A wimple as shown in Portrait of a Woman, 1430–1435, by Robert Campin (1375/1379–1444), National Gallery, London. The wimple is constructed of four layers of cloth and the pins holding it in place are visible at the top of the head. thumb|Monumental brass of Margaret, Lady Camoys (d.1310), St George's Church, Trotton, West Sussex. This is the earliest surviving brass of a female figure in England. She wears around her neck a wimple (or gorget) which hides the chin and sides of the face. This style of dress continued in fashion until the end of the reign of King Edward III (1327–1377).
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thumb|A wimple as shown in Portrait of a Woman, 1430–1435, by Robert Campin (1375/1379–1444), National Gallery, London. The wimple is constructed of four layers of cloth and the pins holding it in place are visible at the top of the head. thumb|Monumental brass of Margaret, Lady Camoys (d.1310), St George's Church, Trotton, West Sussex. This is the earliest surviving brass of a female figure in England. She wears around her neck a wimple (or gorget) which hides the chin and sides of the face. This style of dress continued in fashion until the end of the reign of King Edward III (1327–1377).
A wimple is a medieval form of female headcovering, formed of a large piece of cloth worn draped around the neck and chin, covering the top of the head; it was usually made from white linen or silk. Its use developed in early medieval Europe; in medieval Christianity it was unseemly for a married woman to show her hair. A wimple might be elaborately starched, creased and folded in prescribed ways. Later elaborate versions were supported on wire or wicker framing, such as the cornette.