Category

1980s in music

page 1

genre of rock music

genre of American popular music

Funk is a music genre that originated in African-American communities in the mid-1960s when musicians created a rhythmic, danceable new form of music through a mixture of various music genres that were popular among African-Americans in the mid-20th century. It deemphasizes melody and chord progressions and focuses on a strong rhythmic groove of a bassline played by an electric bassist and a drum part played by a percussionist, often at slower tempos than other popular music. Funk typically consists of a complex percussive groove with rhythm instruments playing interlocking grooves that create

subgenre of heavy metal

subgenre of heavy metal music

The term J-pop (often stylized in all caps; an abbreviated form of "Japanese popular music"), refers to a form of popular music that entered the musical mainstream of Japan in the 1990s. In Japan it is known simply as . Modern J-pop has its roots in traditional music of Japan, and global 1960s pop and rock music. J-pop replaced kayōkyoku ("Lyric Singing Music"), a term for Japanese popular music from the 1920s to the 1980s in the Japanese music scene.

alternative rock

subgenre of rock music

electronic dance music genre, that originated in Chicago, United States, in the early 1980s

extreme subgenre of heavy metal music

Emo ( ) is a genre of rock music that combines musical characteristics of hardcore punk with emotional, often confessional lyrics. It emerged as a style of hardcore punk and from the Washington, D.C., hardcore scene, where it was known as emotional hardcore or emocore. The bands Rites of Spring and Embrace, among others, pioneered the genre. In the late 1980s, Maryland bands Moss Icon and the Hated adopted and reinvented this sound, putting less influence on its punk roots. In the early-to-mid 1990s, their influence led emo to be adopted by alternative rock, indie rock, and pop-punk bands, inc

Soviet rock band

Post-punk (or postpunk) is a loosely defined music genre and period that emerged in late 1977 in the wake of punk rock. The concept was originally outlined by Jon Savage in his "New Musick" editorial for Sounds magazine in November 1977. The term has been noted for lacking a universally agreed-upon definition. Post-punk musicians departed from punk's fundamental elements and raw simplicity, adopting instead a broader, more experimental approach that incorporated a variety of avant-garde sensibilities and non-rock influences. Inspired by punk's energy and DIY ethic but determined to move beyond

music genre that encompasses pop-oriented styles from the late 1970s through the 1980s

alternative metal

music subgenre of heavy metal and alternative rock

electronic dance music

broad genre of electronic music

musical subgenre of post-punk and alternative rock

subgenre of rock music

genre of heavy metal music

Post-rock is a subgenre of experimental rock that emphasizes texture, atmosphere, and non-traditional song structures over conventional rock techniques. Post-rock artists often combine rock instrumentation and rock stylings with electronics and digital production as a means of enabling the exploration of textures, timbres and different styles. Vocals, when present, are often used as an instrumental layer, with many bands opting for entirely instrumental compositions. The genre began in indie and underground music scenes, but deviated.

Eurodance (sometimes referred to as Euro-NRG) is a genre of electronic dance music that originated in the late 1980s in Europe. It combines many elements of rap, techno and Eurodisco. This genre of music is heavily influenced by the use of rich vocals, sometimes with rapped verses. This, combined with cutting-edge synthesizers, strong bass rhythm and melodic hooks, establishes the core foundation of Eurodance music.

Pop-punk (also punk pop, alternatively spelled without the hyphen) is a rock music genre that combines elements of punk rock and pop. It is defined by its fast-paced, energetic tempos, and emphasis on classic pop songcraft, as well as adolescent and anti-suburbia themes. It is distinguished from other punk-variant genres by drawing more heavily from 1960s bands such as the Beatles, the Kinks, and the Beach Boys. The genre has evolved throughout its history, absorbing elements from new wave, college rock, ska, hip hop, emo, boy band pop and even hardcore punk and metalcore. It is sometimes cons

contemporary R&B

popular music genre that combines rhythm and blues with elements of pop, soul, funk, hip-hop, and electronic music

Dance-pop (also known as club-pop and EDM-pop) is a genre of electronic dance music that originated in the late 1970s to early 1980s. It is generally uptempo music intended for nightclubs with the intention of being danceable but also suitable for contemporary hit radio. Developing from a combination of dance and pop with influences of disco, post-disco and synth-pop, it is generally characterised by strong beats with easy, uncomplicated song structures which are generally more similar to pop music than the more free-form dance genre, with an emphasis on melody as well as catchy tunes. The gen

Post-hardcore is a punk rock music genre that maintains the aggression and intensity of hardcore punk but emphasizes a greater degree of creative expression. Like the term "post-punk", the term "post-hardcore" has been applied to a broad constellation of groups. Initially taking inspiration from post-punk and noise rock, post-hardcore began in the 1980s with bands like Hüsker Dü and Minutemen. The genre expanded in the 1980s and 1990s with releases by bands from cities which had established hardcore scenes, such as Fugazi from Washington, D.C. as well as groups such as Big Black, Jawbox, Quick

cross-genre fusing vocal and instrumental elements of hip-hop with various forms of rock

music genre derived from popular and rock music

Oi! (originally known as new punk or real punk) is a subgenre of punk rock that emerged in the United Kingdom, particularly the East End of London in the late 1970s and early 1980s. The term was coined by Sounds magazine writer Garry Bushell in August 1979. The music and its associated subculture aimed to unite punks, skinheads, and generally disaffected working-class youth.

subgenre of funk rock and alternative metal

genre of rap music

Electropop is a popular music fusion genre combining elements of the electronic and pop styles.

cross-genre fusing vocal and instrumental elements of hip-hop with various forms of metal

electronic body music

subgenre of pop music

alternative hip-hop

subgenre of hip-hop music that encompasses a wide range of styles that are not typically identified as mainstream

West Coast hip-hop

regional genre of hip-hop music that encompasses any artists or music that originated in the West Coast of the United States

1970s British pop culture movement

Chiptune, also called 8-bit music (although not all chiptune is 8-bit), is a style of electronic music, and its associated subculture, made using the programmable sound generator (PSG) sound chips or synthesizers in vintage arcade machines, computers and video game consoles. The term is commonly used to refer to tracker format music using extremely basic and small samples that an old computer or console could produce (this is the original meaning of the term), as well as music that combines PSG sounds with modern musical styles.

Madchester was a musical and cultural scene that emerged in the English city of Manchester during the late 1980s, closely associated with the indie dance movement. Indie dance (also referred to as indie rave) blended indie rock with elements of acid house, psychedelia, and 1960s pop.

Eurodisco (also spelled as Euro disco) is a genre of electronic dance music that evolved from disco in the middle 1970s. The term "Eurodisco" first appeared in magazines geared towards popular music and was used by the UK magazine Blues & Soul to describe the music of Boney M. Music producers such as Giorgio Moroder, Frank Farian and Michael Kunze (Silver Convention) are credited as pioneers of the genre. ==History== The term "Euro-disco" was used during the mid-1970s to describe the non-UK based disco productions and artists such as D.D. Sound, West Germany groups Arabesque, Boney M., Dsching

A boombox is a transistorized portable music player featuring one or two cassette tape players/recorders and AM/FM radio, generally with a carrying handle. Beginning in the mid-1990s, a CD player was often included. Sound is delivered through an amplifier and two or more integrated loudspeakers. The device is typically capable of receiving radio stations and playing recorded music on cassette tapes or compact discs. Many models are also capable of recording onto cassette. In the 1990s, some boomboxes were available with MiniDisc recorders and players. Designed for portability, boomboxes can be

Europop (also spelled Euro pop) is a style of pop music characterized by polished production, simple and highly catchy melodies, repetitive choruses, and light lyrical themes. The style consolidated itself mainly in continental Europe from the mid to late 1960s, although it exerted significant influence on British and American artists, and topped the charts throughout the 1980s and 1990s, with revivals and moderate degrees of appreciation in the 2000s. The Swedish group ABBA is widely considered the leading representative of classic Europop. ==History== During the 1970s and early 1980s, such

Eurobeat refers to two styles of dance music that originated in Europe: one is a British variant of Italian Eurodisco-influenced dance-pop, and the other is a hi-NRG-driven form of Italo disco. The former was developed in the 1980s, while the latter was developed starting from the early 1990s and continuing in the following decades, distancing itself from its Italo disco origins as time went on.

Hi-NRG (pronounced "high energy") is a genre of uptempo disco or electronic dance music that originated during the late 1970s and early 1980s.

subgenre of punk rock

rock music genre

old-school hip-hop

historical musical period; music genre

genre of music which combines hip-hop music with elements of pop music

Soviet Russian musical group

Post-disco is a term and genre to describe an aftermath in popular music history 1979–1986, imprecisely beginning with the backlash against disco music in the United States, leading to civil unrest and a riot in Chicago known as the Disco Demolition Night on July 12, 1979. During its dying stage, disco displayed an increasingly electronic character that soon served as a stepping stone to new wave, old-school hip-hop, Euro disco, and was succeeded by an underground club music called hi-NRG, which was its direct continuation.