2010s in music

genre of American popular music

subgenre of heavy metal music

The term J-pop (often stylized in all caps; an abbreviated form of "Japanese popular music"), refers to a form of popular music that entered the musical mainstream of Japan in the 1990s. In Japan it is known simply as . Modern J-pop has its roots in traditional music of Japan, and global 1960s pop and rock music. J-pop replaced kayōkyoku ("Lyric Singing Music"), a term for Japanese popular music from the 1920s to the 1980s in the Japanese music scene.

electronic dance music genre, that originated in Chicago, United States, in the early 1980s

extreme subgenre of heavy metal music

Emo ( ) is a genre of rock music that combines musical characteristics of hardcore punk with emotional, often confessional lyrics. It emerged as a style of hardcore punk and from the Washington, D.C., hardcore scene, where it was known as emotional hardcore or emocore. The bands Rites of Spring and Embrace, among others, pioneered the genre. In the late 1980s, Maryland bands Moss Icon and the Hated adopted and reinvented this sound, putting less influence on its punk roots. In the early-to-mid 1990s, their influence led emo to be adopted by alternative rock, indie rock, and pop-punk bands, inc

genre of rock music, subgenre of alternative rock

broad genre of electronic music

Metalcore is a broadly defined fusion genre combining elements of heavy metal and hardcore punk, originating in the 1990s United States and becoming popular in the 2000s. Metalcore typically has aggressive verses and melodic choruses, combined with slow, intense passages called breakdowns. Other defining traits are low-tuned, percussive guitar riffs, double bass drumming, and highly polished production. Vocalists typically switch between clean vocals (melodic, emotional singing) and harsh vocals (including shouting and screaming). Lyrics are often personal, introspective and emotive. It is deb

Dubstep is a genre of electronic dance music that originated in South London in the early 2000s. The style, whose roots trace to the Jamaican sound system party scene in the early 1980s, emerged as a UK garage offshoot that blended 2-step rhythms and sparse dub production, as well as incorporating elements of broken beat, grime, and drum and bass.

Post-rock is a subgenre of experimental rock that emphasizes texture, atmosphere, and non-traditional song structures over conventional rock techniques. Post-rock artists often combine rock instrumentation and rock stylings with electronics and digital production as a means of enabling the exploration of textures, timbres and different styles. Vocals, when present, are often used as an instrumental layer, with many bands opting for entirely instrumental compositions. The genre began in indie and underground music scenes, but deviated.

electronic music genre

Pop-punk (also punk pop, alternatively spelled without the hyphen) is a rock music genre that combines elements of punk rock and pop. It is defined by its fast-paced, energetic tempos, and emphasis on classic pop songcraft, as well as adolescent and anti-suburbia themes. It is distinguished from other punk-variant genres by drawing more heavily from 1960s bands such as the Beatles, the Kinks, and the Beach Boys. The genre has evolved throughout its history, absorbing elements from new wave, college rock, ska, hip hop, emo, boy band pop and even hardcore punk and metalcore. It is sometimes cons

popular music genre that combines rhythm and blues with elements of pop, soul, funk, hip-hop, and electronic music

increase in global popularity of South Korean culture since the 1990s

Dance-pop (also known as club-pop and EDM-pop) is a genre of electronic dance music that originated in the late 1970s to early 1980s. It is generally uptempo music intended for nightclubs with the intention of being danceable but also suitable for contemporary hit radio. Developing from a combination of dance and pop with influences of disco, post-disco and synth-pop, it is generally characterised by strong beats with easy, uncomplicated song structures which are generally more similar to pop music than the more free-form dance genre, with an emphasis on melody as well as catchy tunes. The gen

Post-hardcore is a punk rock music genre that maintains the aggression and intensity of hardcore punk but emphasizes a greater degree of creative expression. Like the term "post-punk", the term "post-hardcore" has been applied to a broad constellation of groups. Initially taking inspiration from post-punk and noise rock, post-hardcore began in the 1980s with bands like Hüsker Dü and Minutemen. The genre expanded in the 1980s and 1990s with releases by bands from cities which had established hardcore scenes, such as Fugazi from Washington, D.C. as well as groups such as Big Black, Jawbox, Quick

music genre derived from popular and rock music

Deathcore is an extreme metal subgenre that combines death metal with metalcore. The genre consists of death metal guitar riffs, blast beats, and metalcore breakdowns. While there are some precursors to the concept of death metal fused with metalcore and hardcore elements seen in the 1990s, deathcore as a distinct genre emerged in the early 2000s and gained prominence beginning in the mid-2000s.

cross-genre fusing vocal and instrumental elements of hip-hop with various forms of rock

genre of rap music

music sub genre of metal

Hardstyle is an electronic dance genre that emerged in the late 1990s, with origins in the Netherlands, Belgium and Italy. Hardstyle mixes influences from techno, new beat and hardcore.

Electropop is a popular music fusion genre combining elements of the electronic and pop styles.

Auto-Tune is audio processor software released on September 19, 1997, by the American company Antares Audio Technologies. It uses a proprietary device to measure and correct pitch in music. It operates on different principles from the vocoder or talk box and produces different results. Auto-Tune can be used in both post-production music mixing and in real-time live performances.

music genre

subgenre of pop music

Synthwave (also called retrowave, or futuresynth) is an electronic music microgenre that is based predominantly on the music associated with the soundtracks of action, science fiction, and horror films of the 1970s and 1980s. Other influences are drawn from the decade's art and video games. Synthwave musicians often espouse nostalgia for 1980s culture and attempt to capture the era's atmosphere and celebrate it.

subgenre of hip-hop music that encompasses a wide range of styles that are not typically identified as mainstream

Djent () is a subgenre of progressive metal, termed for the guitar sound that characterizes it. While sources such as The Guardian and Guitar World describe djent as a genre, some notable musicians including Randy Blythe (Lamb of God) and Stephen Carpenter (Deftones) say it is not.

Chiptune, also called 8-bit music (although not all chiptune is 8-bit), is a style of electronic music, and its associated subculture, made using the programmable sound generator (PSG) sound chips or synthesizers in vintage arcade machines, computers and video game consoles. The term is commonly used to refer to tracker format music using extremely basic and small samples that an old computer or console could produce (this is the original meaning of the term), as well as music that combines PSG sounds with modern musical styles.

regional genre of hip-hop music that encompasses any artists or music that originated in the West Coast of the United States

subgenre of house music

genre of electronic music originating from England in the early 1990s

song or composition created by blending two or more pre-recorded songs

thumb|262x262px|Example of a G-funk instrumental G-funk, short for gangsta funk, (or funk rap) is a sub-genre of gangsta rap that emerged from the West Coast scene in the early 1990s. The genre is heavily influenced by the synthesizer-heavy 1970s funk sound of Parliament-Funkadelic (aka P-Funk), often incorporated through samples or re-recordings. It is represented by commercially successful albums such as Dr. Dre's The Chronic (1992), Snoop Dogg's Doggystyle (1993), and 2Pac's All Eyez on Me (1996).

Phonk () is a subgenre of hip hop and trap music directly inspired by 1990s Memphis rap. The genre is characterized by its use of vintage Memphis rap vocals, chopped and screwed production techniques, and samples from early 1990s hip hop, often combined with samples from jazz and funk.

music genre

Hyperpop is an electronic music movement and loosely defined microgenre that originated in the early 2010s in the United Kingdom. It is characterised by an exaggerated or maximalist take on 21st century popular music tropes. The genre is often associated with LGBTQ+ artists and queer culture, and typically integrates pop and avant-garde sensibilities while drawing on elements commonly found in electronic, rock, hip hop, and dance music. The origins of hyperpop are primarily traced back to the output of English musician A. G. Cook's record label and art collective PC Music, with associated arti

Hardbass or hard bass () is a subgenre of pumping house that originated in Saint Petersburg, Russia during the late 1990s, drawing inspiration from bouncy techno, hardstyle, as well as local Russian influences. Hardbass is characterized by its fast tempo (usually 150–175 BPM), donks, distinctive basslines (commonly known as "hard bounce"), distorted sounds, heavy kicks and occasional chants or rapping. In several European countries, so-called "hardbass scenes" have sprung up, which are events related to the genre that involve multiple people dancing in public while masked, sometimes with moshi

subgenre of house music

music subgenre

fusion genre of hip hop and emo

genre of music which combines hip-hop music with elements of pop music

Post-disco is a term and genre to describe an aftermath in popular music history 1979–1986, imprecisely beginning with the backlash against disco music in the United States, leading to civil unrest and a riot in Chicago known as the Disco Demolition Night on July 12, 1979. During its dying stage, disco displayed an increasingly electronic character that soon served as a stepping stone to new wave, old-school hip-hop, Euro disco, and was succeeded by an underground club music called hi-NRG, which was its direct continuation.

effects unit that allows musicians to modify the sound of a musical instrument

EDM music genre originating in the 2010s

Afrobeats, not to be confused with Afrobeat or Afroswing, is an umbrella term to describe popular music from West Africa and the diaspora that initially developed in Nigeria, Ghana, and the UK in the 2000s and 2010s. Afrobeats is less of a style per se, and more of a descriptor for the fusion of sounds flowing out of Nigeria and Ghana. Genres such as hiplife, jùjú music, highlife, azonto music, and naija beats, among others, were amalgamated under the "Afrobeats" umbrella.

Moombahton (, ) is an electronic dance music genre, derived from house music and reggaeton, that was created by American DJ and producer Dave Nada in Washington, D.C., in 2009. Nada coined the name as a portmanteau of "Moombah" (a track by Surinamese house DJ Chuckie and Dutch producer/DJ Silvio Ecomo) and reggaeton (itself a neologism combining reggae with the Spanish suffix -ton, signifying big).

microgenre of hip hop, usually associated with SoundCloud rap

occult-themed dark electronic music genre; emerged in the late 2000s and early 2010s; uses synthesizers, drum machines, obscure samples, droning repetition and heavily altered, ethereal, indiscernible vocals

Anti-folk (sometimes spelled antifolk) is a genre of folk music that emerged in the 1980s in New York City. It was founded by the musician, author, and comedian Lach, as a reaction to the commercialization of folk music. It is characterized by its amateur sound, DIY ethos, and often humorous, rebellious, or satirical lyrics. Antifolk music was made to diverge from, and sometimes mock, the perceived seriousness of the era's mainstream music scene, while often still being protest music aimed at social change. The latter element especially overlaps with folk punk.

subgenre of heavy metal music

Nu-disco is a 21st-century dance music genre associated with a renewed interest in the late 1970s disco, synthesizer-heavy 1980s European dance music styles, and early 1990s electronic dance music. The genre was popular in the early 2000s, and experienced a mild resurgence in the 2010s.

subgenre of hip hop music

subgenre of death metal

subgenre of house

music production style and hip-hop subgenre