Dada

Spanish painter, sculptor, and ceramicist (1893–1983)

thumb|upright=1.35|Grand opening of the first Dada exhibition: First International Dada Fair|International Dada Fair, Berlin, 5 June 1920. The central figure hanging from the ceiling is an effigy of a German officer with a pig's head. From left to right: [[Raoul Hausmann, Hannah Höch (sitting), Otto Burchard, Johannes Baader, Wieland Herzfelde, Margarete Herzfelde, Dr. Oz (Otto Schmalhausen), George Grosz and John Heartfield.]]

French painter, sculptor, and chess player (1887–1968)

French writer and poet, co-founder of Surrealism (1896–1966)

art with a degree of independence from visual references in the world

French poet (1897–1982)

Romanian-French poet (1896–1963)

French poet (1895–1952)

German artist (1891–1976)

German painter and printmaker (1891–1969)

Italian philosopher and esotericist (1898-1974)

Alsatian sculptor, painter, poet and abstract artist (1886–1966)

French painter and writer (1879–1953)

French filmmaker and writer (1898–1981)

German artist (1887–1948)

term used by the German Nazi regime to describe modern art

German artist (1889–1978)

French writer (1897–1990)

Swiss artist (1889–1943)

Romanian artist (1903-1966)

German artist (1891–1968)

Hungarian photographer (1894–1985)

Club and cultural space in Zurich, Switzerland; birthplace of the Dada art movement

Romanian-born Israel painter and architect (1895-1984)

Austrian photographer and sculptor (1886–1971)

German artist and poet (1874 –1927)

German artist (1888–1976)

American artist (1877-1943)

French poet, Parisian Dadaist and a founder and central member of the French Surrealist movement with his avid use of Surrealist automatism (1899–1959)

thumb|''Artist's Shit'' (Italian: ) is a 1961 artwork by the Italian artist [[Piero Manzoni, which consists of 90 tin cans, each reportedly filled with of faeces. One of his friends, Enrico Baj, said that the cans were meant as "an act of defiant mockery of the art world, artists, and art criticism".]]

German art historian (1885-1940)

German poet, dadaist and psychoanalyst (1892-1974)

work of art realized in the form of a book

Swiss writer, poet, artist and boxer (1887–1918)

Czech poet, journalist, singer, actor, musician, composer, playwright adviser, playwright and director communist (1904–1959)

American artist (1893-1998)

French Dadaist painter (1889-1963)

French writer, art collector and art dealer (1879-1959)

Belgian poet, writer (1896–1928)

German artist (1894-1982)

Russian artist (1894–1975)

French poet (1898–1929)

Swedish artist (1880-1925)

Urmuz (, pen name of Demetru Dem. Demetrescu-Buzău, also known as Hurmuz or Ciriviș, born Dimitrie Dim. Ionescu-Buzeu; March 17, 1883 – November 23, 1923) was a Romanian writer, lawyer and civil servant, who became a cult hero in Romania's avant-garde scene. His scattered work, consisting of absurdist short prose and poetry, opened a new genre in Romanian letters and humor, and captured the imagination of modernists for several generations. Urmuz's Bizarre (or Weird) Pages were largely independent of European modernism, even though some may have been triggered by Futurism; their valorization o

Canadian composer (1948–1983)

artistic form bridging literary and musical composition, in which the phonetic aspects of human speech are foregrounded instead of more conventional semantic and syntactic values

thumb|upright=1.4|Marcel Duchamp, 1919, L.H.O.O.Q., published in 391 (magazine)|391, n. 12, March 1920 L.H.O.O.Q. () is a work of art by Marcel Duchamp. First conceived in 1919, the work is one of what Duchamp referred to as readymades, or more specifically a rectified (i.e. altered) ready-made. The readymade involves taking mundane, often utilitarian objects not generally considered to be art and transforming them, by adding to them, changing them, or (as in the case of his work Fountain) simply renaming and reorienting them and placing them in an appropriate setting. In L.H.O.O.Q. the found

French poet (1895–1919)

French writer, poet, playwright, and painter (1884–1974)

Artistic practice of borrowing, quoting, or recontextualizing existing images or objects to generate new meanings through citational commentary

Czech writer (1889–1942)

German architect, writer (1875–1955)

literary technique based on rearranging text

German constructivist artist (1895–1936)

German artist (1892-1927)

Japanese author, Dadaist, nihilist, Stirnerite, epicurean, shakuhachi musician, playwright and actor, feminist, and bohemian. (1884–1944)

German artist (1890–1955)

German writer (1896–1981)

Dutch author, poet and linguist (1888-1958)

Spanish writer (1900–1971)