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André Bazin

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André Bazin

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French film critic and theorist (1918–1958)

Person · Open Library

Born
1918
Died
1958
Works
27

Top works

  • La Politique des auteurs
  • Contribution à l'étude des chancres mixtes de leur fréquence de leur diagnostic précoce
  • André Bazin on French cinema, 1938-1958
  • Eiga to wa nani ka
  • Dian ying shi sheng yao?

via Open Library + Wikidata

Film & TV

Acting · Angers, Maine-et-Loire, France

André Bazin (18 April 1918 – 11 November 1958) was a renowned and influential French film critic and film theorist. Bazin started to write about film in 1943 and was a co-founder of the renowned film magazine Cahiers du cinéma in 1951, with Jacques Doniol-Valcroze and Joseph-Marie Lo Duca. He is notable for arguing that realism is the most important function of cinema. His call for objective…

Known for

  • Piano Sequenza, Soggettiva — Himself2025
  • Godard Cinema2023
  • Bazin roman — self2021
  • The Kreutzer Sonata — (uncredited)1956

via TMDB

Music · MusicBrainz

Type
Person
Gender
Male
Origin
France
experimentalindustrial

via MusicBrainz · CC0

Listeners · Last.fm

Listeners
3
Total plays
7

<a href="https://www.last.fm/music/Andr%C3%A9+Bazin">Read more on Last.fm</a>

via Last.fm · André Bazin

Key facts

Born
( 1918-04-18 ) 18 April 1918, Angers , Third French Republic
Died
11 November 1958 (1958-11-11) (aged 40), Nogent-sur-Marne , France
Alma mater
École Normale Supérieure de Saint-Cloud
Occupations
Film critic, film theorist
Spouse
Janine Bazin ​ ( married</span>"}]]}'>m. 1949 ⁠ – ⁠ 1958 ) ​

via Wikipedia infobox

Wikidata facts

Show 5 more facts
date of birth
1918-04-08
date of death
1958-11-11
name in native language
André Bazin
start of work period
1943-00-00
end of work period
1958-00-00
Sources (2)

via Wikidata · CC0

~11 min read

Article

André Bazin ( French: [bazɛ̃]; 18 April 1918 – 11 November 1958) was a renowned and influential French film critic and film theorist. He started to write about movies in 1943 and was a co-founder of the renowned film magazine Cahiers du cinéma in 1951 alongside Jacques Doniol-Valcroze and Joseph-Marie Lo Duca.

He is notable for arguing that realism is the most important function of cinema. His call for objective reality in film, as understood through the use of deep focus as well as the lack of montage, were linked to his belief that the interpretation of an entire movie or a specific scene should be left to the spectator. This placed him in opposition to prior film theorists, such as many writing during the 1920s and 1930s, who had emphasized how the cinema could manipulate reality. Bazin insisted that movies morally should serve as personalized projects by their directors to the degree that each and every one represents a director's individual vision, which reflected his broader psychological and philosophical beliefs about culture and the arts.

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