Aradia is one of the principal figures in the American folklorist Charles Godfrey Leland's 1899 work Aradia, or the Gospel of the Witches, which he believed to be a genuine religious text used by a group of pagan witches in Tuscany, a claim that has subsequently been disputed by other folklorists and historians. In Leland's Gospel, Aradia is portrayed as a messiah who was sent to Earth in order to teach peasants how to use sorcery as an instrument to liberate themselves from powerful and oppressive social institutions and classes, specifically the Roman Catholic Church and upper class landhold
Aradia is one of the principal figures in the American folklorist Charles Godfrey Leland's 1899 work Aradia, or the Gospel of the Witches, which he believed to be a genuine religious text used by a group of pagan witches in Tuscany, a claim that has subsequently been disputed by other folklorists and historians. In Leland's Gospel, Aradia is portrayed as a messiah who was sent to Earth in order to teach peasants how to use sorcery as an instrument to liberate themselves from powerful and oppressive social institutions and classes, specifically the Roman Catholic Church and upper class landholders.
The folklorist Sabina Magliocco has theorized that prior to being used in Leland's Gospel, Aradia was originally a supernatural figure in Italian folklore, who was later merged with other folkloric figures such as a Rejusta of Sardinia.
Discovered by embedding cosine similarity (sentence-transformers MiniLM, 384-dim).