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bidri ware
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bidri ware

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Also known as bīdrī ware, bidriware, Biddery ware

Bidriware is a metal handicraft from the city of Bidar in Karnataka, India. It was developed in the 14th century C.E. during the rule of the Bahmani Sultans. The term "bidriware" originates from the township of Bidar, which is still the chief center of production. The metal used is white brass that is blackened and inlaid with silver. As a native art form, Bidriware obtained a Geographical Indications (GI) registry on 3 January 2006.

Key facts

Geographical indication.color
Blue
Geographical indication.image
File:Bidriware Hookah.jpg
Geographical indication.image_size
250px
Geographical indication.caption
Bidri art Hookah
Geographical indication.type
Metal handicraft
Geographical indication.area
Bidar, Karnataka
Geographical indication.registered
3 January 2006
Geographical indication.material
Alloy of zinc and copper, silver

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Wikidata facts

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Bidriware vases and decanter.jpg
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Commons category
Bidriware
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Article

12 sections
Contents
  • Origins
  • Bidri artisans
  • Process of making bidriware
  • Technique and Design
  • Soil speciality
  • Innovations
  • Bidriware in other places
  • Research in Bidri art
  • See also
  • References
  • Further reading
  • External links

Bidriware is a metal handicraft from the city of Bidar in Karnataka, India. It was developed in the 14th century C.E. during the rule of the Bahmani Sultans. The term "bidriware" originates from the township of Bidar, which is still the chief center of production. The metal used is white brass that is blackened and inlaid with silver. As a native art form, Bidriware obtained a Geographical Indications (GI) registry on 3 January 2006.

== Origins == thumb|A end 17th century, Bidriware hookah base at [[Louvre]] The origin of Bidriware is usually attributed to the Bahamani sultans who ruled Bidar in the 14th–15th centuries. Bidriware techniques and style are influenced by Persian art. The art form developed in the kingdom that was a mix of Turkish, Persian and Arabic influences which were intermingled with the local styles and thus a unique style of its own was born. Abdullah bin Kaiser, a craftsman from Iran was invited by the Sultan Ahmed Shah Bahmani to work on decorating the royal palaces and courts. According to some accounts, Kaiser worked with local craftsmen and the partnership resulted in bidriware under the rule of Ahmed Shah and his son Second Alauddin Bahmani. Along with local artisans, the art spread far and wide and was handed over to generations as time passed.

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