
thumb|George Walker (vaudeville)|George Walker, [[Aida Overton Walker, and Bert Williams link arms and dance the cakewalk in the first Broadway musical to be written and performed by African Americans, In Dahomey.]] thumbnail|right|Painting from 1913 thumbnail|right|1915 sheet music cover (late for cakewalk music): "Ebony Echoes: A Good Old-Fashioned Cake-Walk" by Dan Walker. New York, NY: Shapiro, Bernstein & Co.
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thumb|George Walker (vaudeville)|George Walker, [[Aida Overton Walker, and Bert Williams link arms and dance the cakewalk in the first Broadway musical to be written and performed by African Americans, In Dahomey.]] thumbnail|right|Painting from 1913 thumbnail|right|1915 sheet music cover (late for cakewalk music): "Ebony Echoes: A Good Old-Fashioned Cake-Walk" by Dan Walker. New York, NY: Shapiro, Bernstein & Co.
The cakewalk was a dance developed from the "prize walks" (dance contests with a cake awarded as the prize) held in the mid-19th century, generally at get-togethers of Black people on plantations before and after emancipation in the Southern United States. Alternative names for the original form of the dance were "chalkline-walk", and the "walk-around". It was originally a processional partner dance performed with comical formality.
Discovered by embedding cosine similarity (sentence-transformers MiniLM, 384-dim).