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Cigoli
EntityQ928350· pop 23· linked from 99 articles

Also known as Ludovico Cardi, Lodovico Cardi, Lodovico Cardi-Cigoli, Lodovico Cardi da Cigoli, Ludovico Cardi Da Cigoli, il Cigoli, Ludovico Cigoli, Ciccoli

thumb|Cigoli, self-portrait thumb|300px|The Sacrifice of Isaac, by Ludovico Cigoli, c. 1607 Lodovico or Ludovico Cardi (21 September 1559 – 8 June 1613), also known as Cigoli, was an Italian painter and architect of the late Mannerist and early Baroque period, trained and active in his early career in Florence, and spending the last nine years of his life in Rome.

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Works
11

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Type
Person
Gender
Female
Origin
Italy
Active from
1952-05-21

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Wikidata facts

Instance of
human
Gender
male
Citizenship
Italy
Place of birth
Cigoli
Place of death
Rome
Occupation
poet
Languages spoken
Italian
Field of work
architecture
Movement
Mannerism
Image
Ludovico Cardi 9.jpg
Work location
Rome
Show 8 more facts
Commons category
Cigoli
date of birth
1559-09-22
date of death
1613-06-08
Commons Creator page
Cigoli
name in native language
Lodovico Cardi
described by source
The Nuttall Encyclopædia
Sources (2)

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Works in European collections

36 objects attributed to Cigoli, held across European museums, libraries & archives · via Europeana

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Encyclopedic overview

4 sections
Contents
  • Biography
  • References
  • Sources
  • External links

thumb|Cigoli, self-portrait thumb|300px|The Sacrifice of Isaac, by Ludovico Cigoli, c. 1607 Lodovico or Ludovico Cardi (21 September 1559 – 8 June 1613), also known as Cigoli, was an Italian painter and architect of the late Mannerist and early Baroque period, trained and active in his early career in Florence, and spending the last nine years of his life in Rome.

==Biography== Lodovico Cardi was born at Villa Castelvecchio in Cigoli, Tuscany, whence the name by which he is commonly known. Initially, Cigoli trained in Florence under the fervid mannerist Alessandro Allori, and studied the works of Michelangelo, Correggio, Andrea del Sarto and Pontormo. Later, influenced by the most prominent of the "Counter-Maniera" painters, Santi di Tito, as well as by Barocci, Cigoli shed the shackles of mannerism and infused his later paintings with an expressionism often lacking from 16th-century Florentine painting.

Excerpted from Wikipedia’s “Cigoli” article, available under the CC BY-SA 4.0 licence.

Gallery (2)