Italian Mannerist painters

Italian painter, architect, writer and historian (1511-1574)

Jacopo Robusti (late September or early October 151831 May 1594), best known as Tintoretto ( ; ; ), was an Italian Renaissance painter of the Venetian school. His contemporaries both admired and criticised the speed with which he painted and the unprecedented boldness of his brushwork. For his phenomenal energy in painting he was termed . His work is characterised by muscular figures, dramatic gestures and bold use of perspective, in the Mannerist style.

Italian painter of the Renaissance (1528–1588)

Italian painter (c.1532-1625)

Italian painter of the late Renaissance (1527–1593)

Agnolo di Cosimo (; 17 November 150323 November 1572), usually known as Bronzino ( ) or Agnolo Bronzino, was an Italian Mannerist painter from Florence. His sobriquet, Bronzino, may refer to his relatively dark skin or reddish hair.

Jacopo Carucci or Carrucci (; May 24, 1494 – January 2, 1557), usually known as Jacopo (da) Pontormo or simply Pontormo (), was an Italian Mannerist painter and portraitist from the Florentine School. His work represents a profound stylistic shift from the calm perspectival regularity that characterized the art of the Florentine Renaissance. He is famous for his use of twining poses, coupled with ambiguous perspective; his figures often seem to float in an uncertain environment, unhampered by the forces of gravity.

Girolamo Francesco Maria Mazzola (11 January 150324 August 1540), also known as Francesco Mazzola or, more commonly, as Parmigianino (, , ; "the little one from Parma"), was an Italian Mannerist painter and printmaker active in Florence, Rome, Bologna, and his native city of Parma. His work is characterized by a "refined sensuality" and often elongation of forms and includes Vision of Saint Jerome (1527) and the iconic if somewhat anomalous Madonna with the Long Neck (1534), and he remains the best known artist of the first generation whose whole careers fall into the Mannerist period.

Italian painter (1465-1526)

Italian painter and architect (1499–1546)

Italian painter (1552–1614)

Italian Renaissance painter (1477-1549)

Bolognese painter of the Baroque (1555-1619)

Italian portrait painter of the late Florentine Mannerist school (1577-1621)

Italian painter (c.1485-1547)

Italian painter

Italian painter (1535–1607)

Italian painter (1535-1612)

Italian painter (1510–1591)

Italian painter (1504-1570)

Italian painter

Italian painter (1525-1578)

Italian painter (1539-1609)

Italian painter (1486–1551)

Italian painter (1509-1566)

painter and biographer of artists (c. 1566–1643)

Venetian painter (1548/50-1628)

Italian painter (1510–1563)

Italian painter and architect (1527-1596)

thumb|Cigoli, self-portrait thumb|300px|The Sacrifice of Isaac, by Ludovico Cigoli, c. 1607 Lodovico or Ludovico Cardi (21 September 1559 – 8 June 1613), also known as Cigoli, was an Italian painter and architect of the late Mannerist and early Baroque period, trained and active in his early career in Florence, and spending the last nine years of his life in Rome.

Italian Mannerist painter (1568–1640)

Italian painter (1484-1539)

Flemish-Italian painter (1540-1619)

Italian painter (1527-1585)

Italian architect, painter, antiquarian and garden designer

Italian painter (1512-1597)

Italian painter (1529-1566)

Italian painter (1481–1559)

Italian painter (1536-1565)

Italian painter (1538-1592)

painter, sculptor and architect (1573–1632)

Italian painter (1510-1563)

Italian painter (1536-1603)

Italian painter (1598-1630)

Italian painter (c.1580-1644)

Italian painter (1557-1622)

Milanese painter of the Cinquecento (c.1540-c.1596)

painter from Italy (1559–1638)

Italian painter (1520-1591)

Italian painter (1560–1635)

Italian painter (1548-1612)

Italian renaissance painter (1476-1551)

Italian painter (1487–1553)

Italian painter (1501-1556)

Italian painter (1578-1650)

Florentine painter (1542-1596)

Italian painter (1536-1591)

Italian painter (1549-1592)

Italian Renaissance painter (1494-1557)

Italian painter