
American screenwriter, director, producer, actor, author, and film editor
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Writing · Poughkeepsie, New York, USA
Edward Davis Wood, Jr. (October 10, 1924 – December 10, 1978), better known as Ed Wood, was an American screenwriter, director, producer, actor, author, and editor, who often performed many of these functions simultaneously. In the 1950s, Wood made a number of cheap genre films, now enjoyed for their technical errors, unsophisticated special effects, large amounts of ill-fitting stock footage,…
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Ed Wood is a noise-rock duo from Bydgoszcz formed in half of the first decade of the XXI century by Sam Waterston and Oleum et operam perdidi knows from the bands like Gumka Olik and XiuperSiu. Their music is based on difficult guitar parts and even more difficult drum parts. Vocal parts are so difficult that writing about them is like an architecture of dance, anatomy of shark or areopagitica of St.Paul. In the music of duo you can hear a lot of <a href="https://www.last.fm/music/Ed+Wood">Read
5 total works indexed
· 1985 · cited 22,924x
· 2009 · cited 10,000x
· 1991 · cited 9,948x
· 2019 · cited 8,803x
· 2002 · cited 8,577x
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Edward Davis Wood Jr. (October 10, 1924 – December 10, 1978) was an American filmmaker, actor and novelist. In the 1950s, Wood directed several low-budget science fiction, crime and horror films that later became cult classics, notably Glen or Glenda (1953), Jail Bait (1954), Bride of the Monster (1955), Plan 9 from Outer Space (1957) and Night of the Ghouls (1959). In the 1960s and 1970s, he moved towards sexploitation and pornographic films such as The Sinister Urge (1960), Orgy of the Dead (1965) and Necromania (1971), and wrote over 80 lurid pulp crime and sex novels.
Notable for their campy aesthetics, technical errors, unsophisticated special effects, use of poorly-matched stock footage, eccentric casts, idiosyncratic stories and non sequitur dialogue, Wood's films remained largely obscure until he was posthumously awarded a Golden Turkey Award for Worst Director of All Time in 1980, renewing public interest in his life and work.
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