File:Fra_Bartolomeo_004.jpg · Wikimedia Commons · See Wikimedia Commons
Fra Bartolomeo
Sign in to saveAlso known as Baccio della Porto, Fra Bartolommeo
Italian Renaissance painter (1472-1517)
OverviewAI-generated
Fra Bartolomeo was an Italian painter and draftsperson active during the Renaissance. Born in Prato in 1472, he worked primarily in Florence, which was then part of the Republic of Florence. He was a member of the Dominican Order and adhered to the Catholic Church. His artistic output focused on religious painting, and he studied under Piero di Cosimo and Cosimo Rosselli.
He died in Florence on October 31, 1517. His works are held in the collections of the Museum Boijmans Van Beuningen, the Belvedere, the Städel Museum, and the Minneapolis Institute of Art. He trained Ridolfo del Ghirlandaio as a student. His works have been described in sources including the Brockhaus and Efron Encyclopedic Dictionary, The Nuttall Encyclopædia, and the Encyclopædia Britannica 11th edition.
Synthesized by Vinony from 23 facts across 2 sources: Wikidata, Europeana Sparql. Generated from structured data (not the Wikipedia text) and checked against those facts — may still contain errors.
Key facts
- Born
- Baccio della Porta , 28 March 1472, Savignano di Prato , Tuscany
- Died
- 31 October 1517 (aged 45), Florence
via Wikipedia infobox
Wikidata facts
- Instance of
- human
- Given name
- Bartolomeo
- Gender
- male
- Citizenship
- Republic of Florence
- Place of birth
- Prato
- Place of death
- Florence
- Occupation
- draftsperson
- Languages spoken
- Italian
- Religion
- Catholic Church
- Student of
- Cosimo Rosselli
- Field of work
- painting
- Genre
- religious painting
- Movement
- Renaissance
- Image
- Fra bartolomeo.jpg
- Work location
- Florence
- Residence
- Florence
- Religious order
- Dominican Order
Show 10 more facts
- Commons category
- Fra Bartolomeo
- date of birth
- 1472-03-28
- date of death
- 1517-10-31
- Commons Creator page
- Fra Bartolomeo
- Commons gallery
- Fra Bartolomeo
- name in native language
- Fra-Bartolommeo
- student
- Ridolfo del Ghirlandaio
- has works in the collection
- Alte Pinakothek
- name
- Fra Bartolommeo
- P13311
- Ashton Eaton
via Wikidata · CC0
Works in European collections
31 objects attributed to Fra Bartolomeo, held across European museums, libraries & archives · via Europeana
[Hl. Anna nach oben blickend]
[Bildnis eines nach links blickendenden Puttos]
[Teatro pictórico de David Teniers] [Material gráfico] : [estampas sueltas]
Planche 20: Sketch from Fra Bartholomeo Album 's “The Tomb Putting.” Studies after ancient masters executed in Munich and Italy
Betender Mann, Rückenfigur, nach Fra Bartolomeo
Die Versuchung des heiligen Antonius (recto)
Maria erscheint dem heiligen Bernhard, Umrisszeichnung der linken Figurengruppe von Fra Bartolomeos Gemälde "Die Vision des heiligen Bernhard von Clairvaux (1504-07, Akademie, Florenz)
[Portrait of an Old Man in a Three-Quarter Profile, Looking Left]
[Bildnis eines Mannes in Rückenansicht, der sich zum Betrachter wendet]
Venerunt in Jerusalem, ut sisterent eum Domino
[Portrait of a Young Man looking to the right]
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Encyclopedic overview
Apparition of the Virgin to St Bernard (1504–1507), Uffizi Fra Bartolomeo or Bartolommeo ( UK: /ˌbɑːrtɒləˈmeɪoʊ/, US: /-toʊl-/, Italian: [bartolo(m)ˈmɛːo]; 28 March 1472 – 31 October 1517), also known as Bartolommeo di Pagholo, Bartolommeo di San Marco, Bartolomeo di Paolo di Jacopo del Fattorino, and his original nickname Baccio della Porta, was an Italian Renaissance painter of religious subjects. He spent all his career in Florence until his mid-forties, when he travelled to work in various cities, as far south as Rome. He trained with Cosimo Rosselli and in the 1490s fell under the influence of Savonarola, which led him to become a Dominican friar in 1500, renouncing painting for several years. Typically his paintings are of static groups of figures in subjects such as the Virgin and Child with Saints.
He was instructed to resume painting for the benefit of his order in 1504, and then developed an idealized High Renaissance style, seen in his Vision of St Bernard of that year, now in poor condition but whose "figures and drapery move with a seraphic grace that must have struck the young Raphael with the force of revelation". He remained friends with Raphael, and each influenced the other.
Excerpted from Wikipedia’s “Fra Bartolomeo” article, available under the CC BY-SA 4.0 licence.