
American actress (1913–1970)
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Acting · Seattle, Washington, USA
Frances Elena Farmer (September 19, 1913 – August 1, 1970) was an American actress of stage and screen. She is perhaps better known for sensationalized and fictional accounts of her life, and especially her involuntary commitment to a mental hospital. Farmer was the subject of three films, three books, and numerous songs and magazine articles. Description above from the Wikipedia article Frances…
via TMDB
Frances Elena Farmer (September 19, 1913 – August 1, 1970) was an American actress of stage and screen. She is perhaps better known for sensationalized and fictional accounts of her life, and especially her involuntary commitment to a mental hospital. Farmer was the subject of three films, three books, and numerous songs and magazine articles. <a href="https://www.last.fm/music/Frances+Farmer">Read more on Last.fm</a>
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· 2020 · cited 15,320x
· 2008 · cited 9,161x
· 2007 · cited 7,906x
· 1977 · cited 6,767x
· 1996 · cited 6,034x
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Frances Elena Farmer (September 19, 1913 – August 1, 1970) was an American actress. She appeared in over a dozen feature films and three significant Broadway plays over the course of her career. Farmer gained greater notoriety posthumously for having had a nervous breakdown and undergone a five-year involuntary commitment in a state-run mental institution. She was said to have suffered abusive conditions, which have remained the subject of much controversy and speculation.
A native of Seattle, Washington, Farmer began acting in stage productions while a student at the University of Washington. After graduating, she began performing in stock theater before signing a film contract with Paramount Pictures on her 22nd birthday in September 1935. She debuted in the B films Too Many Parents and Border Flight, before co-leading with Bing Crosby in the musical Rhythm on the Range (both 1936). Unhappy with the opportunities the studio gave her, Farmer returned to stock theater in 1937 before being cast in the Broadway production of Clifford Odets's Golden Boy. She followed this with two Broadway productions directed by Elia Kazan in 1939, but a battle with depression and binge drinking caused her to drop out of a subsequent Ernest Hemingway stage adaptation.
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